Originální, pestrá, kvalitně uspořádaná encyklopedie, která v kostce podává přehled posledních pěti desetiletí světového komiksu. Obsahuje téměř 300 ilustrací od anglických, amerických, ale i francouzských, italských a japonských mistrů žánru a jde o průkopnické dílo jak rozsahem, tak hloubkou záběru.
MOONSTRUCK "Lunatic" is an unusual and striking graphic novel in the tradition of wordless books by the likes of Frans Masereel, Lynd Ward and William Gropper. Part fable, part classic adventure in the tradition of Jules Verne, H. G. Wells and Méliès, the tale is told in nearly 200 full-page, wordless images in a variety of media from pencil, pen and ink, ink wash and paint that lovingly evoke the artistic styles of its period setting, and classic illustrators from Charles Dana Gibson and Toulouse Lautrec to Edward Gorey. The word "lunatic" derives from Latin, meaning "of the moon", or "moonstruck" and in this sense it describes the protagonist of this story: from infancy she develops a magical, almost intimate relationship with the moon itself, a celestial being who acts as her friend, lover, mentor. Our heroine is a dreamer, an outsider, never feeling like she quite belongs to this world. We follow her through the stages of life, infancy, childhood, youth and adulthood, at each point guided by the moon toward a fateful journey and an unexpected destiny. A timeless and charming story of longing, loneliness and the pursuit of dreams.
The first global history of comics around the world from the late 1960s to the present day Comics, manga, bandes dessinées, fumetti, tebeo, historietas… no matter the name, they have been a powerful medium across four continents for decades. This is the history of comics around the world from the late 1960s to the dawn of the 21st century. Comics is a richly illustrated narrative of extraordinary scope. Examples from all over the world include everything from Crumb and Kirby to RAW; from Metal Hurlant to Marjane Satrapi to nouvelle manga; from both the American mainstream and underground to the evolving and influential British scene. The images here are bright and colorful, dark and brooding, arresting and pleasant, all at the same time. An unprecedented collection includes around 260 expertly chosen illustrations, many reproduced in full-page format for more sophisticated analysis. The authors, two uniquely positioned and knowledgeable authorities, are the first to write a broadly comprehensive history of this most accessible, democratic, and occasionally subversive modern popular art form, displaying an intimate familiarity with schools and styles, writers, artists, and companies across countries and generations. In showing us both post-apocalyptic dreamscapes and portraits of the everyday, Comics looks at this thirty-plus year period through a very unique lens.