Exploring the evolution of typography, this book delves into the artistry behind type design, highlighting figures like Garamond, Baskerville, and Bodoni. It traces the journey from Gutenberg's revolutionary printing press to modern digital type, showcasing the interplay between art and technology in publishing. With over two hundred illustrations, it provides both scholarly insights and accessible context, making it a comprehensive resource on the significance of typography in bookmaking. This work is a vital addition to the Grolier Club's esteemed series.
The story explores the journey of a character who realizes that physical appearance alone is insufficient for true connection and fulfillment. As he navigates relationships and personal growth, he discovers deeper values and the importance of emotional intimacy. The narrative delves into themes of self-discovery, vulnerability, and the challenges of balancing desire with meaningful connections. Through engaging interactions and personal revelations, the protagonist learns what it truly means to love and be loved beyond mere physical attraction.
"Founded by Will Carter in 1924, the Rampant Lions Press in Cambridge, England, established itself as one of the leading letterpress workshops in the decades after the Second World War. Will was joined by his son Sebastian in the 1960s, and the business became known worldwide for its craftsmanship and design skills. It was not strictly a private press, but rather a small publisher of fine editions and a printer for other publishers. The broad scope of its activities led to working on books by a wide range of authors and artists. For an exhibition of the Press's work at the Fitzwilliam Museum in Cambridge in 1982, Sebastian Carter compiled a catalogue of the books shown. It consisted of 89 titles, about half of the total printed so far. From then until the closure of the Press in 2008, the total grew to 321, and this Catalogue describes them all. There is a detailed description of each book, including its title page, typefaces, papers and bindings, together with any binding variants, and details of any prospectuses produced ... the Catalogue is divided into four sections covering the main periods of the Press's history, and each section is prefaced with the story of that period, so that the book is in effect a history of the Press"--Dust jacket front flap.
