The book provides an overview of the group of hanging cloud objects (2010– 2020) by Stefan Lö ffelhardt. In the temporal developmental arc of Stefan Lö ffelhardt’ s work, the cloud objects lie between the large landscape installations in space and the current drawings of inner landscape. The objects evolved from the walk-in installations through the model-like ship sculptures and the hanging constructions of urban landscape, as they are documented in the catalogs “ Blachfeld” (2003), “ Lö ffelhardt” (2008), “ Tal Grund/The Valley Floor” (2009), and “ Tisch” (2016). The illustrations follow roughly chronologically the date the object were created. They are joined by views from the exhibitions “ Fluss” , 2018 at Aurel Scheibler in Berlin and “ Schö nheit?!” , curated by Anne-Marie Bonnet 2019/20 at Gisela Clement in Bonn. In the exhibition “ ab8” , 2017 at Galerie Ute Parduhn in Dusseldorf some of the objects were shown for the first time. In the middle section of the book is an excerpt from a conversation between Wolfgang Ullrich and Stefan Lö ffelhardt. which took place in 2018 in the context of the exhibition at Aurel Scheibler. In the back you can see some collages from 2010.
Aurel Scheibler Knihy




Philip Guston
- 62 stránok
- 3 hodiny čítania
Featuring a selection of three drawings and seven paintings, two of which are extraordinarily colourful and abstract, allow us access to the work that Philip Guston has created since the end of the 60s.This catalogue provides an intimate discussion around the carefully selected group of works from Guston's oeuvre.English and German text.
Ernst Wilhelm Nay, 1964
- 55 stránok
- 2 hodiny čítania
Der Katalog widmet sich ausschließlich der Periode der Augenbilder (1963-64) von Ernst Wilhelm Nay. Diese Werkgruppe entstand auf dem Höhepunkt der internationalen Karriere Nays. Auf der documenta III in Kassel 1964 war er mit ingesamt neun großformatigen Bildern vertreten. Seine drei berühmten, 4 x 4 m messenden Documenta-Bilder, als ungewöhnliche Installation an der Decke hängend präsentiert, erregten großes Aufsehen. Die Augenbilder bezeichnen auch einen Kulminationspunkt in Nays Schaffen. Sie greifen mit der Motivik des Auges ein Ur-Thema auf, das sein Werk von den Anfängen an durchzieht und in archetypischer Symbolik magische Kräfte und bannende Abwehr verheißt, aber auch Licht und spirituelle Bewusstheit symbolisiert.