Harvey Pekar bol americký tvorca undergroundových komiksov, známy predovšetkým svojou autobiografickou sériou 'American Splendor'. Jeho dielo sa sústreďuje na každodenný život obyčajných ľudí, pričom si zachováva surový a úprimný štýl. Pekar skúma témy ľudskej práce, vzťahov a spoločenských problémov s prenikavým vhľadom a humorom. Jeho jedinečný prístup k rozprávaniu v komikse ovplyvnil generácie tvorcov a zanechal trvalú stopu v literatúre.
American Splendor is the series that sparked a revolution in comics and brought graphic novels to the attention of post-adolescent readers everywhere. Here is the best of American Splendor and other comics by Harvey Pekar, including never-before-seen material.
A lifelong Cleveland resident, Harvey Pekar pioneered autobiographical comics, mining the mundane for magic since 1976 in his ongoing American Splendor series. Harvey Pekars Cleveland is sadly one of his last, but happily one of his most definitive graphic novels. This book deals with his life and work.
Harvey Pekar transforms Terkel's acclaimed work into a dynamic comic format, showcasing the stories of everyday Americans. Collaborating with top illustrators, the book presents a rich tapestry of voices and experiences, blending graphic storytelling with poignant narratives. This unique adaptation captures the essence of the original text while providing a fresh visual perspective, making it accessible and engaging for both comic fans and those interested in social commentary.
It was they year of Desert Storm that Harvey Pekar and his wife, Joyce Brabner, discovered Harvey had cancer. Pekar, a man who has made a profession of chronicling the Kafkaesque absurdities of an ordinary life - if any life is ordinary - suddenly found himself incapacitated. But he had a better-than-average chance to beat cancer and he took it - kicking, screaming and complaining all the way. The Pekar/Brabner coalition draws upon this and other trials to paint a portrait of a man beset with fears real and imagined - who survives.
In Not the Israel My Parents Promised Me, one of the final graphic memoirs from the man who defined the genre, Harvey Pekar explores what it means to be Jewish and what Israel means to the Jews. Pekar’s mother was a Zionist by way of politics, his father by way of faith, and he inevitably grew up a staunch supporter of Israel. But as he became attuned to the wider world, Pekar began to question his parents’ most fundamental beliefs. This book is the full account of that questioning. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies passed down to them, weaving a personal and historical odyssey of uncommon wit and power. With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an es- sential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state.
Es otro día más en la vida de Harvey Pekar... Pero, para Pekar, ningún día es solo "otro día más".
An appreciation by Anthony Bourdain adds a unique perspective to the book, highlighting its culinary themes and cultural significance. The narrative delves into the intricacies of food, exploring how it connects people and shapes experiences. Through vivid storytelling and rich descriptions, the author invites readers to savor the flavors of life, emphasizing the importance of food in various contexts. This blend of personal anecdotes and broader reflections makes the book a compelling read for food enthusiasts and those interested in the art of gastronomy.
Details the history of the Beat movement, which began in the 1940s, and describes the lives of Jack Kerouac, Allen Ginsberg, and William Burroughs; along with other writers, artists, and events in a graphic novel format.
The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.
In The Beats: A Graphic History, those who were mad to live come back to life through artwork as pulsatingly vibrant as the movement itself. Told by Harvey Pekar and his frequent artistic collaborator Ed Piskor, and by a range of artists and writers, including feminist comic creator Trina Robbins and Mad magazine artist Peter Kuper, The Beats takes us on a wild tour. From the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to beatnik chicks, from Chicago’s beatnik bistro to San Francisco’s famed City Lights bookstore, we see the storied era in all its incarnations.
