Andre Tavares Knihy

Photographs, newspaper cuttings, postcards, drawings, and on entering the studio of Eduardo Souto de Moura, winner of the Pritzker Prize 2011, one is confronted with a variety of images on the walls that engage in a dialogue. How do these photos, drawings, and illustrations impact his design practice? What is the relationship between the image and the completed building? Floating Eduardo Souto de Moura’s Wall Atlas uses this question as an opportunity to examine the architect’s visual universe. He has added images from his extensive collection of drawings and project sketches and reorganized them in this atlas. Complex relationships are formed between the individual illustrations and projects. Essays by Pedro Bandeira, Eduardo Souto de Moura, Diogo Seixas Lopes, and Philip Ursprung round off the publication and provide a contextualization in terms of the history of art and images.

How printed, mass-produced books on architecture shaped knowledge of the discipline itself Examining the crossovers between book culture and building culture makes the axes visible along which architectural knowledge circulates through books into buildings and back. Dissecting a breadth of architectural books through five conceptual tools--texture, surface, rhythm, structure and scale--author and architect André Tavares analyzes the material quality of books in order to assess their dialogue with architectural knowledge at large. The detailed history of Sigfried Giedion's Befreites Wohnenand the two incarnations of the Crystal Palace in Hyde Park and Sydenham provide a background that confront us not only with the rise of the industrialized book but also with the configuration of the book as a unique visual device. Richly illustrated with samples from the library of the Canadian Centre for Architecture, the volume discusses a wide range of publications by several authors, including Vitruvius, William Morris, Gottfried Semper and Le Corbusier. This book was published in conjunction with Canadian Centre for Architecture

Vitruvius?s De architectura, written in the first century BCE, has been revered as the first treatise on architectural theory. Since its resurrection during the Renaissance, its enigmatic text has been adjusted, refined, and redefined in subsequent iterations. The book at hand bypasses exegeses of the text to focus on the material history of the printed editions disseminated throughout Europe. It surveys over a hundred editions of Vitruvius from 1486 to the present, tracing the power of the printed page in establishing the Roman author as an authority.0Focusing on the impact of the physical objects that embody the Vitruvian canon highlights how book history and architectural history cross paths and how a symbiotic relationship between the printed and the built emerges. The resulting picture is that of a zigzagging thread between practice and theory, an elusive network of fruitful carelessness in architecture.