Thyago Nogueira Knihy

This book is published to accompany Claudia Andujar, The Yanomami Struggle at the Fondation Cartier pour l'art contemporain, the most ambitious exhibition ever devoted to the Brazilian photographer who since the 1970s has dedicated her life to photography and the protection of the Yanomami Indians, one of the largest Amerindian communities in the Brazilian Amazon. Conceived by Thyago Nogueira for the Instituto Moreira Salles in Brazil, Claudia Andujar, The Yanomami Struggle features over 200 black-and-white and color photographs, many of which have never been shown before, as well as an audiovisual installation, historical documents and drawings produced by Yanomami artists. The fruit of several years' research into the photographer's archives, the exhibition reflects the two inseparable aspects of her approach: one aesthetic, the other political. The exhibition also shows Claudia Andujar's significant contribution to photographic art and the essential role she has played and continues to play in the defense of Yanomami rights and the forest in which they live.

Widely considered Japan’s most influential and prolific photographer, Daido Moriyama has been challenging conventions of the art form for more than a half century. This exhaustive and electrifying retrospective, published in cooperation with the Daido Moriyama Foundation and based on entirely new research, looks at every stage of Moriyama’s extensive career, including his extraordinary images as well as his conceptual contributions to photography. One of a generation of postwar Japan’s groundbreaking artists, Moriyama has continually established his own visual grammar. This book features more than 190 chronologically arranged images that reveal his constantly evolving career: his early editorial work of the mid-1960s, focused on the American occupation and the experimental theater; his radical experimentation of late 1960s and the 1970s; the self-reflexive photos of the 1980s and 1990s; and his ongoing exploration of cities, among other relevant moments. It also includes more than 400 spreads from Moriyama’s rarely seen publications, mapping the sources of his visual production. Rounding out the volume are texts by the editor and leading Japanese scholars, a personal essay by the artist, and a full chronology of his life and work. Accompanying a major exhibition on Moriyama’s output this impressive volume reframes Moriyama’s legacy, and is certain to become the definitive publication on his work.