Mark A. Cheetham Knihy

Focusing on early abstract painting in Europe, the book investigates the concept of purity and its historical and theoretical implications. Mark A. Cheetham delves into how these artistic movements intersect with ideas of purity, offering insights into the evolution of abstract art and its philosophical underpinnings. Through this exploration, the work sheds light on the cultural and aesthetic values that shaped the development of modern art.

The Subjects of Art History provides an introduction to the historiography and theory of the history of art. Examining a variety of theoretical approaches, the editors and contributors to this volume provide interpretations of the history and contemporary relevance of such important methodologies as semiotics, phenomenology, feminism, gay and lesbian studies, museology, and computer applications, among other topics. Each essay, specially commissioned for this volume, gives a fresh perspective on the topic by demonstrating how a particular approach can be applied to the understanding and interpretation of specific works of art. This volume will be a timely contribution to the current debate on the theory and practice of art history.

The first systematic study of Kant's reception of and influence on visual art and art history.

Focusing on the evolution of abstraction since the 1960s, the author presents a transformative perspective that challenges traditional formalist views. By framing abstract art within themes of infection, resistance, and cure, the narrative invites a reevaluation of key genres like the monochrome and the mirror. It connects the works of influential artists, such as Yves Klein and Robert Rauschenberg, highlighting how their contributions extend and complicate the legacy of abstract art.

This book offers a comprehensive examination of how Kant's philosophy has shaped visual art and art history. It explores the nuances of his reception and the impact of his ideas on artistic practices and interpretations. By delving into the intersection of Kantian thought and the evolution of art, the study reveals the philosophical underpinnings that have influenced artists and critics alike, providing a fresh perspective on the relationship between philosophy and visual culture.