Margaret Bennettová sa venuje tradičnej škótskej ľudovej kultúre a kultúrnej identite Škótov doma i v zahraničí. Jej diela sa ponárajú do bohatého dedičstva škótskeho folklóru a skúmajú, ako si Škóti udržiavajú svoju identitu naprieč svetom. Bennettová prináša hlboké porozumenie témam, ktorým sa venuje, a jej písanie je pretkané rešpektom k tradíciám.
A highly readable and absorbing collection of traditions surrounding rites of passage, drawing upon a broad range of literary and oral sources from the sixteenth century to the present day.
Tape-recorded interviews from the 20th and 21st centuries give voice to tradition-bearers from all walks of life adding colour to this comprehensive picture of social behaviour.
In 1952 when these songs and rhymes were recorded in Hilltown, Dundee there may not have been a street or playground anywhere where the sound of children singing and playing was part of everyday life. Although there had been Scottish collectors of 'bairn sangs' since the 1820s, it was not until the 1940s that anyone in Scotland audio-recorded the actual sound of playground voices. These recordings of school children captured the vitality of the local dialect, the spontaneity of their language-use outside the classroom, their repertoire of songs, rhymes and games, their musicality , as well as the sounds that echo the speed and accuracy of their hand-eye co-ordination. (Audio links included in the notes).
Growing up in rural Aberdeenshire during the early 20th century, Nell Hannah's life takes a significant turn during World War Two as she and her family find work at the Stanley Mill in Perthshire. Despite the harsh conditions, she cherishes her time there. Through conversations with folklorist Margaret Bennett and singer Doris Rougvie, Nell shares her memories and songs, crafting an oral history of wartime life. Remarkably, she discovers her singing talent at sixty-nine, leading to a successful recording career that continues into her nineties.
Exploring the rich tapestry of Newfoundland-Irish culture, this book delves into the life and repertoire of a local singer, highlighting how music reflects social and political histories. It examines the intersections of identity, tradition, and community through song, showcasing the singer's role in preserving cultural narratives. By weaving personal anecdotes with broader historical contexts, the narrative reveals the significance of music as a means of storytelling and resistance in Newfoundland-Irish heritage.
The effectiveness of a training programme to adult entrepreneurs in Namibia
The book explores the challenges faced by adult entrepreneurs in Namibia, particularly in a context of high unemployment and cultural expectations of supporting extended families. It emphasizes the importance of personal attitudes and commitment to self-improvement as key differentiators between successful and less successful entrepreneurs. The insights and recommendations presented are applicable not only in Namibia but across Africa, aiming to inspire change and growth among adult entrepreneurs globally. The author's hope is to positively impact lives through these findings.