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Marianne Hirsch

    Marianne Hirsch a Leo Spitzer sú poprední literárni vedci, ktorých práca sa ponorila do hlbín pamäti, rodinnej histórie a kultúrneho odkazu. Hirsch sa zameriava na vzťah medzi vizuálnymi médiami a naratívom, skúma, ako fotografie formujú naše chápanie minulosti a osobné spomienky. Spitzer, ktorého bádanie je zakorenené v histórii, osvetľuje zložité interakcie medzi kultúrou, pamäťou a traumou, najmä v kontexte skúseností utečencov. Spoločne ich diela ponúkajú prienikavé pohľady na to, ako jednotlivci a spoločnosti konštruujú a udržiavajú svoje spomienky.

    School Photos in Liquid Time
    Memory as Colonial Capital
    Conflicts in Feminism
    Ghosts of Home
    The Generation of Postmemory
    Family Frames. Photography, Narrative and Postmemory
    • Can we remember other people's memories? This book argues that we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. In these revised critical readings of the literary and visual legacies of the Holocaust, Hirsch builds on her influential concept of postmemory.

      The Generation of Postmemory
    • Ghosts of Home

      • 392 stránok
      • 14 hodin čítania

      In modern-day Ukraine, east of the Carpathian Mountains, there is an invisible city. Known as Czernowitz, the 'Vienna of the East' under the Habsburg empire, this vibrant Jewish-German Eastern European culture vanished after World War II. This memoir chronicles the city's survival in personal, familial, and cultural memory.

      Ghosts of Home
    • First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

      Conflicts in Feminism
    • Memory as Colonial Capital

      Cross-Cultural Encounters in French and English

      • 220 stránok
      • 8 hodin čítania

      Focusing on the interplay between postcolonial memory and colonial narratives, this volume explores how writers from the Caribbean, Africa, and the U.S. confront and reinterpret historical memory in their works from the twentieth and twenty-first centuries. It addresses the urgent issue of contested memory, highlighting how colonial history has suppressed and manipulated collective and individual recollections. Johnson and Brezault contextualize the politics of memory writing, making significant contributions to cultural memory studies and postcolonial discourse.

      Memory as Colonial Capital
    • School Photos in Liquid Time

      • 224 stránok
      • 8 hodin čítania

      Incongruous images -- Why school photos? -- Imperial frames -- Framing difference -- Exclusionary frames -- The "disobedient gaze."

      School Photos in Liquid Time