This book is a translation of the second part of a commentary on the Treasury of Precious Qualities, the most celebrated work of Jigme Lingpa (1730–1798), one of the most important figures in the Nyingma lineage. In a slender volume of elegant verse, this root text (new in this revised edition) presents the entire Buddhist path according to the Nyingma school. Because it is so concise and makes use of elaborate poetic language, the commentary is indispensable.
Jigme Lingpa Knihy
Rigdzin Jigme Lingpa je považovaný za jednu z ústredných postáv školy Nyingma v tibetskom budhizme. Odhalil populárny cyklus učenia a praxe Longchen Nyingtik prostredníctvom série vízií majstra Longchenpu. Jeho dielo je cenené pre svoju hĺbku a duchovný význam. Je považovaný za inkarnáciu Vimalamitru a kráľa Trisong Deutena.




"While Pure Land Buddhism is generally thought of as an East Asian tradition with an Indian origin, the Copper-Coloured Mountain is in fact the first and only pure land with scriptural origins entirely in the Tibetan tradition. It represents Tibetan culture's fascinating intersection of traditional history with liturgical tantric practice. The Copper-Colored Mountain is understood to be the current abode of Padmasambhava, the Indian master credited with first bringing Buddhism to Tibet and founding Tibet's first monastery, Samye. After leaving Tibet, it is said that Padmasambhava set up residence on Cāmara, one of the two islands on either side of the continent of Jambudvipa, our world according to Buddhist cosmology. After taming the resident ogres of Cāmara and converting them to Buddhism, he then built an octagonal palace where Buddhist practitioners may be transported in visions and dreams or reborn through aspiration prayers. This work is a translation and analysis of one such aspiration prayer. This prayer was composed by Jigme Lingpa, a treasure revealer of the Nyingma tradition in the eighteenth century and remains the most important prayer to this pure land in Tibetan Buddhism. Merging academic precision in representing the Tibetan texts and devotion to the principles of tantric Buddhism, translators Georgios Halkias and Christina Partsalaki enable a wider appreciation of the history and impact of this prayer in Tibetan Buddhist literature while elucidating its meaning for Buddhist practitioners"-- Provided by publisher
Deity, Mantra, and Wisdom
- 264 stránok
- 10 hodin čítania
This collection contains four of the most cherished Tibetan Buddhist commentaries on the practices of visualization, mantra recitation, and meditative absorption—elements that form the core of development stage meditation, one of the most important practices of Buddhist Tantra. The texts within this volume—Ladder to Akaniṣṭha, Clarifying the Difficult Points in the Development Stage, The Four Stakes That Bind the Life-Force, and Husks of Unity—are among the most widely studied commentaries on this topic and have formed the basis for spiritual study and practice for centuries. In these eloquent and inspiring translations, Jigme Lingpa, Patrul Rinpoche, and Getse Mahāpaṇḍita explain the fundamental philosophy of the development stage, illuminating its profound insights into the nature of reality and how to utilize these insights through the practice of meditation.
Steps to the Great Perfection
- 192 stránok
- 7 hodin čítania
The first-ever English translation of mind-training contemplations from the Dzogchen tradition of Tibetan Buddhism. A compilation of teachings on the seven contemplations, an ancient system of mind-training/lojong teachings that has been preserved as part of a rare set of instructions on Dzogchen, or the Great Perfection. This book is unique because although the lojong teachings of the Kadam tradition are well known, this is the first time the mind-training teachings from the Dzogchen tradition have been presented in an English translation, and most Western scholars and practitioners are unaware that such mind-training techniques even exist in Dzogchen. The contemplations themselves are vividly described, and some unfold as dramatic stories in which the meditator imagines himself or herself as the main character. Thus, they are quite accessible for beginning practitioners.