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Luis Sagasti

    Luis Sagasti je argentínsky spisovateľ, ktorý sa venuje histórii a súčasnému umeniu. Jeho diela často skúmajú priesečníky medzi umením, históriou a literatúrou, pričom využíva svoje vedomosti ako historik a kurátor. Sagastiho štýl je známy svojou hĺbkou a intelektuálnou zvedavosťou, ktorá čitateľov podnecuje k zamysleniu. Prostredníctvom svojich románov a esejí ponúka jedinečný pohľad na súčasnú kultúru a jej korene.

    A Musical Offering
    Fireflies
    • Fireflies

      • 85 stránok
      • 3 hodiny čítania
      4,0(240)Ohodnotiť

      How do we even begin to narrate the history of the world? Where do we start, and where do we end? Fireflies is Sagasti’s bold and original attempt to answer these questions. Taking an eclectic array of influences and personalities from modern history, he teases out events that at first glance seem random and insignificant and proceeds to weave them together masterfully, entertaining as he enlightens. Joseph Beuys, Antoine de Saint-Exupéry, Stanley Kubrick, Neil Armstrong, Wittgenstein, Glenn Miller and the Beatles; poets and authors, priests, astronauts and Russian sailors all make an appearance, and Sagasti finds common threads to bind their stories together. The fireflies themselves perhaps provide the key to understanding this book. They become a metaphor for the resistance of certain luminous moments, certain twinkling fragments of history, to the passing of time. They remind us that events do not always disappear neatly into the darkness, but rather remain, floating in the air, lighting up the night sky for years to come. Sagasti shows us that the present moment, like this novel, is a tapestry woven of a multiplicity of times. Using his unique, poetic and keenly observant style, Sagasti turns the accidents of history into a single, lyrical constellation, and for the reader it’s an extraordinary sight.

      Fireflies
    • A Musical Offering

      • 117 stránok
      • 5 hodin čítania
      4,0(268)Ohodnotiť

      Sagasti narrates for us a thousand and one stories centre around music that take the reader from Bach to Gould, from Gould to the Beatles, from Sergeant Pepper to the music that was played in Nazi concentration camps, and so on.. But when do we end a story? When do we decide to sing the final lullaby?

      A Musical Offering