The book explores the intersection of liberal-left opposition to Israel and anti-Semitism, suggesting that contemporary critiques may unintentionally perpetuate traditional anti-Semitic themes. It argues for a more nuanced approach to anti-racism that enables the defense of Palestinian rights without resorting to the demonization of Jewish people. Through this lens, the author, a non-Jewish analytic philosopher, seeks to clarify the complexities of liberal discourse surrounding Israel and its implications for anti-Semitism.
In this first full-scale study of performance practice in Haydn's keyboard music, Bernard Harrison confronts the important issues facing any performer of this repertoire, and considers some of the recurring controversial questions in broader research on Haydn's oeuvre .
In a world where rhetoric is fashioned on stereotypes and driven by political
ideology, Harrison argues it is our responsibility to be vigilant in exposing
the delusions of antisemitism and their consequences for Jews and non-Jews
alike.
This important book proposes a new account of the nature of language, founded upon an original interpretation of Wittgenstein. The authors deny the existence of a direct referential relationship between words and things. Rather, the link between language and world is a two-stage one, in which meaning is used and in which a natural language should be understood as fundamentally a collection of socially devised and maintained practices. Arguing against the philosophical mainstream descending from Frege and Russell to Quine, Davidson, Dummett, McDowell, Evans, Putnam, Kripke and others, the authors demonstrate that discarding the notion of reference does not entail relativism or semantic nihilism. A provocative re-examination of the interrelations of language and social practice, this book will interest not only philosophers of language but also linguists, psycholinguists, students of communication and all those concerned with the nature and acquisition of human linguistic capacities.
Focusing on Haydn's Symphonies Nos. 82-87, the book explores the composer's advanced compositional techniques and their significance in the cultural landscape of 1780s Paris. It delves into the stylistic elements of the symphonies while highlighting their impact on contemporary audiences. The inclusion of 17 music examples enriches the analysis, providing insights into the works' musical intricacies and their reception during a pivotal era in classical music history.
