Zora and Langston
- 336 stránok
- 12 hodin čítania
Zora Neale Hurston and Langston Hughes, two giants of the Harlem Renaissance, were best friends-until they weren't.
Yuval Taylor sa zameriava na hudbu a jej kultúrne vplyvy. Jeho dielo skúma zložité témy s dôrazom na sociálny a historický kontext. Taylorov štýl sa vyznačuje prenikavým pohľadom na to, ako umenie formuje naše chápanie sveta. Jeho písanie je prístupné a zároveň podnetné, pozýva čitateľov k zamysleniu sa nad hlbšími otázkami.


Zora Neale Hurston and Langston Hughes, two giants of the Harlem Renaissance, were best friends-until they weren't.
In the last fifty years,the quest for authenticity, for the 'real,' has become a dominant factor in musical taste whether it be the folklorist's search for forgotten bluesmen, the rock critic's elevation of raw power over sophistication, or the importance of bullet wounds to the careers of hip-hop artists such as 50 Cent. Faking It explodes the myth of what it means to be 'real' and 'fake' in pop music. From 30s blues singer Leadbelly to Moby's use of his singing over half a century later, the appropriation of black music by a predominantly white musical fanbase, Pop Idol, the fact that no one in Cuba listens to Buena Vista Social Club and to Kurt Cobain's suicide note and the fear it expressed of 'faking it'.