Jennifer T. Roberts sa zameriava na antické dejiny a klasické štúdiá, pričom skúma najmä tradície a politické myslenie starovekého Grécka. Jej práca sa ponára do hĺbky anti-demokratických prúdov, ktoré formovali západné myslenie, a analyzuje ich vplyv naprieč stáročiami. Roberts sa tiež venuje podrobnému štúdiu kľúčových historických diel a ich autorov, čím čitateľom prináša prenikavé vhľady do histórie a filozofie.
The narrative delves into the raw and unfiltered experiences of infertility, addressing the often-silenced emotions and thoughts that individuals face. It promises an honest exploration of the struggles, fears, and societal judgments surrounding infertility, offering personal insights and valuable lessons learned throughout the journey. The author aims to create a space for open dialogue about these challenges, encouraging readers to confront their feelings without shame.
Jennifer Roberts introduces the background and writing of the 5th century
Greek thinker and researcher Herodotus of Halicarnassus, who invented the
genre of historical investigation. She discusses all aspects of his work,
including his fascination with his origins; his travels; his interest in
seeing the world; and the recurring themes of his work.
The all-female Takarazuka Revue was founded in 1913 as a novel counterpart to
the all-male Kabuki theater. This book traces the contradictory meanings of
Takarazuka productions over time, with special attention to the World War II
period.
A woman's life takes a dramatic turn when she meets her ideal partner and seemingly achieves happiness. However, a single catastrophic event shatters her world, plunging her into a harrowing nightmare. The story explores themes of love, loss, and resilience as she navigates the aftermath of her devastating experience.
"A wise woman wishes to be no one’s enemy; a wise woman refuses to be anyone’s victim.” Maya Angelou Here you will find stories from brave and wise women who have found their voices so they could speak up for themselves, speak up for the ones they love, and fight for what they wanted and needed in their lives. They are women like all of us, who are trying to live their best lives for themselves and their loved ones. These 14 incredible women have come together, writing their personal stories releasing themselves from their past, and encouraging others in similar situations to do the same. Their lives took them on journeys that compelled them to look deep inside themselves and discover who they are as women in the world. And most importantly, to accept themselves. T he y write about mental illness, sexual assault, death, dreams and goals, addictions, children, traveling to faraway places, and acceptance of the choices they have made in their lives. The stories are fascinating! They are proud of who they have become—describing themselves as powerful, assertive, yet compassionate and vulnerable. Each is unique, and there is such beauty in their souls. They simply are women like me and you, like all of us, sharing their stories with the world in the hope of inspiring other women to want to live their best lives. They are Women Like Me. This is book 3 in the popular series, WOMEN LIKE ME.
This unique book celebrates the inspirational Yorkshire men and women who are
the best in their chosen field - actors, politicians, athletes, writers,
musicians, historians, educators and medics.
Japan is arguably the first postindustrial society to embrace the prospect of human-robot coexistence. Over the past decade, Japanese humanoid robots designed for use in homes, hospitals, offices, and schools have become celebrated in mass and social media throughout the world. In Robo sapiens japanicus, Jennifer Robertson casts a critical eye on press releases and public relations videos that misrepresent robots as being as versatile and agile as their science fiction counterparts. An ethnography and sociocultural history of governmental and academic discourse of human-robot relations in Japan, this book explores how actual robots—humanoids, androids, and animaloids—are “imagineered” in ways that reinforce the conventional sex/gender system and political-economic status quo. In addition, Robertson interrogates the notion of human exceptionalism as she considers whether “civil rights” should be granted to robots. Similarly, she juxtaposes how robots and robotic exoskeletons reinforce a conception of the “normal” body with a deconstruction of the much-invoked Theory of the Uncanny Valley.
