Nicholas Rombes Knihy

Exploring the intersection of film theory and digital media, this work presents innovative ideas that challenge traditional concepts. It examines how the digital age transforms cinematic experiences and invites readers to rethink the relationship between film and technology. By analyzing contemporary films and their impact, the book offers fresh perspectives on narrative, aesthetics, and audience engagement in a rapidly evolving landscape.

Examines punk as a movement. This book contains descriptions of the sounds, and places those sounds in the context of history. Drawing on many fanzines, magazines, and newspapers, it provides a portrait of the ways in which punk was an expression of defiance. It covers many of the legendary punk bands, as well as the obscure, forgotten ones.

With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011) - both shot digitally - have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.

The dumbest band with the dumbest tunes - but still they transcend all other groups as the ground zero of rock, reduced to its crudest essence. This, their first album is a brutal combination of 60s pop and garage punk with adolescent tales of girls and sniffing glue.