Bryan Reynolds Knihy

The book explores the emergence of a unique "criminal culture" in early modern England, beginning in the 1520s, characterized by beggars, vagabonds, and other marginalized groups. This community, defined by its criminal activities and dissident ideologies, interacted with and influenced mainstream cultural norms. Through an analysis of various literary and historical texts, the author illustrates how this culture shaped aesthetic sensibilities and societal structures, highlighting its impact on the works of notable playwrights like Shakespeare and Jonson.

The book delves into the intricate connections between intermedial theater and concepts like consciousness, memory, and subjectivity, utilizing a blend of performance aesthetics and critical methodologies. It provides an in-depth analysis of influential philosophers such as Deleuze and Nietzsche in the context of contemporary European theater, examining the works of notable companies and directors. Additionally, it explores how modern theatrical practices relate to Shakespeare's enduring influence, highlighting the emotional resonance of intermedial performances in today's cultural landscape.

The field of performance studies analyses the production and impact of on- stage performance, such as in a theatre or circus, and off-stage performance, such as cultural rituals and political protests.

Tells the history of the Rudge-Whitworth cycle and motorcycle company, from the late 1800s to the 1940s, including full production histories of the motorcycle models. This title covers topics such as: origins of Rudge- Whitworth, from Daniel Rudge's early bicycles, to the Pugh family merger; and the invention of the Rudge Multi gear engine in 1912.