Focusing on the concept of murder, the author examines how the portrayal of murderers has evolved to represent particular social identities within Western modernity. The exploration delves into the cultural significance and implications of these representations, shedding light on societal perceptions and the underlying factors that shape our understanding of crime and the criminal mind.
Exploring the contributions of influential figures such as Rachilde, Ayn Rand, Margaret Thatcher, and Lionel Shriver, this book examines the concept of selfishness in women through various lenses, including psychiatry, media, and feminism. It aims to unpack the complex identities of modern women by analyzing their words and works, shedding light on the tensions between individualism and collective identity in contemporary society.
Exploring the intersection of cinema and moral philosophy, this book delves into how films can shape ethical perspectives and provoke critical thought. It examines various cinematic narratives and their implications on societal values, encouraging readers to consider the moral dilemmas presented on screen. By analyzing diverse genres and filmmakers, the work highlights the power of film as a medium for ethical inquiry and reflection, making it a compelling read for both film enthusiasts and those interested in ethical theory.
French philosopher and historian Michel Foucault is essential reading for students in departments of literature, history, sociology and cultural studies. This introductory book, written for students, offers in-depth critical and contextual perspectives on his work and is an ideal introduction to a famously complex, controversial and important thinker.
Lisa Downing's study explores the films of Patrice Leconte, revealing connections and evolutions within his diverse body of work. It delves into the complex and often contradictory themes presented in his films, offering insights into their controversial messages. Through a detailed analysis, the study highlights the continuity and revision present in Leconte's cinematic approach, making it a significant contribution to film scholarship.