Laurence Senelick je poprednou osobnosťou v oblasti divadelných štúdií, ktorého práca sa zameriava na priesečník medzi performanciou, históriou a kultúrou. Jeho kritické eseje a štúdie skúmajú hlboké súvislosti medzi dramatickými textami a ich inscenáciou, pričom odhaľujú, ako sa divadlo formuje a je formované spoločenskými zmenami. Prostredníctvom svojho hlbokého porozumenia divadelnej histórii a praxi Senelick osvetľuje komplexnú povahu divadelného umenia a jeho trvalý dopad.
Exploring musical theatre, nineteenth-century culture, modern stagecraft, and the development of modern sexual mores, this book presents a global view of the influence of Offenbach and his comic operas. The volume demonstrates his central role in theatrical innovation and his impact on wider society and culture.
The lives, deeds and jests of notable clowns have been recorded from authentic sources and picturesque legends.
Focusing on the representation of dying in theatre, this book explores how actors convey complex ideas and emotions related to death in a way that resonates with audiences. It examines the approaches playwrights have taken to depict death and the cultural attitudes surrounding it, while placing a strong emphasis on the art of acting itself. The text delves into the intricate relationship between performance and the profound themes of mortality, offering insights into both historical and contemporary theatrical practices.