Gothic Cinema
- 280 stránok
- 10 hodin čítania
Explores the long history of Gothic cinema, from its transitional origins in phantasmagoria shows and the first 'trick' films to its postmodern fragmentation in the Gothic pastiches of Tim Burton
Xavier Aldana Reyes Knihy
Xavier je čitateľom v odbore anglickej literatúry a filmu na Manchester Metropolitan University a zakladajúcim členom Manchester Centre for Gothic Studies. Jeho práca sa zameriava na hĺbkové štúdium literárnych a filmových diel, s dôrazom na ich tematické a štylistické aspekty. Prostredníctvom svojej akademickej dráhy prispieva k hlbšiemu porozumeniu žánrov a ich vývoja. Jeho odbornost v gotických štúdiách osvetľuje temnejšie stránky ľudskej psychiky a spoločnosti prostredníctvom literárneho a filmového rozprávania.
Focusing on the intersection of affect theory, horror cinema, and performance studies, this book offers a critical examination of moving images depicting mutilation and how audiences respond to them. It explores the emotional impacts these representations have, enriching the discourse surrounding horror films and their reception. By integrating these three fields, the work aims to provide new insights into the complexities of viewer engagement with graphic content in cinema.
Exploring the evolution of the Gothic mode in Spain, this book delves into significant literary periods, including Romanticism and the booms of the 1970s and 2000s. Through illustrative case studies, Aldana Reyes reveals how the Gothic has continuously influenced Spanish literature and cinema since the late-eighteenth century. The author argues that creators embraced the Gothic as a liberating and transgressive form of expression, showcasing its enduring relevance and adaptability within the cultural landscape.