Exploring the intersection of post-cinema and potential futures, the book argues that the concept of the "morph" is essential for understanding both the limitations and possibilities of the future. By integrating Deleuzian and Whiteheadian theories, the author proposes a novel framework for digital cinema that emphasizes the dynamic nature of hope and constraint in shaping future narratives.
Exploring the unsettling atmospheres in contemporary films, this analysis highlights how the new cinematic weird generates joy through eerie and creepy experiences. The author emphasizes the importance of affective intensities, suggesting that these unique atmospheres are meant to be felt rather than comprehended, offering a fresh perspective on the emotional impact of the genre.
Steen Ledet Christiansen’s Storytelling in “Kabuki” explores the series created by David Mack—a slow, recursive narrative that focuses on the death of Kabuki, her past, and the complex use of space on the page.