Jane Plastow Knihy

This third volume in the annual African Theatre series focuses exclusively on women in theatre and performance in Africa. Topics include the role of female goddesses in Egyptian theatre; early urban women performers in Asmara, Eritrea; an interview with Ghanaian concert party actress Adeline Ama Buabeng; and women's theatre and performance in Algeria, Kenya, Uganda, and Nigeria. African Theatre: Women features the work of Tess Onwueme and the complete script of Glass House by South African playwright Fatima Dike. Book reviews and notices about recent conferences, prizes, and events enhance this annual publication and make it an invaluable resource for understanding the vital and creative energy of women in African theatre today.

The second volume continues the captivating journey of the characters as they navigate complex relationships and face new challenges. The narrative deepens the exploration of themes such as love, betrayal, and redemption, while introducing fresh conflicts that test their resilience. Richly developed characters and intricate plot twists keep readers engaged, providing a seamless blend of drama and emotional depth. Fans of the series will find this installment both satisfying and thought-provoking, as it expands on the groundwork laid in the first volume.

Focusing on the theatre of the Horn of Africa, this groundbreaking study spans nine nations and a century of theatrical development. It highlights the significant yet underappreciated contributions of Djibouti, Eritrea, Ethiopia, and Somalia, showcasing their politically impactful and commercially successful productions. The book emphasizes the use of local languages and hybrid forms, reflecting the rich cultural heritage of the region. This comprehensive volume is essential for anyone interested in African cultures and their historical and political contexts.

Examines the impact of new media (such as video and YouTube) and the use of multi-media on live and recorded performance in Africa. Focuses on the ways African theatre and performance relate to various kinds of media. Includes contributions on dance; popular video, with an emphasis on video drama and soaps from Eastern and Southern Africa, and the Nigerian 'Nollywood' phenomenon; the interface between live performance and video (or still photography), and links between on-line social networks and new performance identities. As a group the articles raise, from original angles, the issues of racism, gender, identity, advocacy and sponsorship. Volume Editor: DAVID KERR is Professor of English in the University of Botswana, and is the author of African Popular Theatre Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick