Jasper Fforde je majstrom slova, ktorý je známy svojou jedinečnou schopnosťou prepletať literárne tradície s absurdnou komédiou. Jeho diela, často zasadené do alternatívnych realít, skúmajú hranice fikcie a povahu rozprávania. S citom pre detail a nečakanými zvratmi Fforde vytvára svety, kde sa postavy môžu pohybovať medzi knihami a kde história nadobúda úplne nové podoby. Jeho inovatívny prístup k žánru a hravé skúmanie literárnych konvencií z neho robia nezabudnuteľného autora.
In an alternate United Kingdom, King Snodd aims to control the world by controlling magic, and only sixteen-year-old Jennifer Strange, acting manager of an employment agency for sorcerers, stands between Snodd and his plans.
Thursday Next, literary detective and newlywed, is back to embark on an adventure that begins, quite literally on her own doorstep. It seems that Landen, her husband of four weeks, actually drowned in an accident when he was two years old. Someone, somewhere, sometime, is responsible. The sinister Goliath Corporation wants its operative Jack Schitt out of the poem in which Thursday trapped him, and it will do almost anything to achieve this - but bribing the ChronoGuard? Is that possible? Having barely caught her breath after The Eyre Affair, Thursday must battle corrupt politicians, try to save the world from extinction, and help the Neanderthals to species self-determination. Mastadon migrations, journeys into Just William, a chance meeting with the Flopsy Bunnies, and violent life-and-death struggles in the summer sales are all part of a greater plan. But whose? and why?
Meet Thursday Next, literary detective without equal, fear or boyfriend Jasper Fforde’s beloved New York Times bestselling novel introduces literary detective Thursday Next and her alternate reality of literature-obsessed England—from the author of The Constant Rabbit Fans of Douglas Adams and P. G. Wodehouse will love visiting Jasper Fforde's Great Britain, circa 1985, when time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously: it’s a bibliophile’s dream. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection. But when someone begins kidnapping characters from works of literature and plucks Jane Eyre from the pages of Brontë's novel, Thursday is faced with the challenge of her career. Fforde's ingenious fantasy—enhanced by a Web site that re-creates the world of the novel—unites intrigue with English literature in a delightfully witty mix.
In the good old days, magic was powerful, unregulated by government, and even the largest spell could be woven without filling in magic release form B1-7g. Then the magic started fading away. Fifteen-year-old Jennifer Strange runs Kazam!, an employment agency for soothsayers and sorcerers. But work is drying up. Drain cleaner is cheaper than a spell, and even magic carpets are reduced to pizza delivery. So it's a surprise when the visions start. Not only do they predict the death of the Last Dragon at the hands of a dragonslayer, they also point to Jennifer, and say something is coming. Big Magic . . .
Imagine a world where your position in society depended on what bit of the
colour spectrum you could see. This is the world inhabited by Eddie Russett
(red, middle-level) and Jane Grey (monochromatic, lowest in society). Eddie
and Jane must negotiate the delicate Chromatic politics of society to find out
what the 'Something that Happened' actually was, how society got to be this
way, and crucially, is there Somewhere Else beyond their borders - and if
there is, could there be Someone Else, too, someone whose unseen hand has been
guiding the fortunes and misfortunes of the nation for the past 500 years?It's
a tale of a young couple's thirst for justice and answers in an implacably
rigid society, where the prisoners are also the guards, and cages of
convention bind the citizens to only one way of thinking - or suffer the
consequences. . ..
NEW YORK TIMES BESTSELLER • Ex-detective Thursday Next faces her trickiest assignment yet in the seventh novel of this renowned series, “[a] bibliophile’s Wonderland” (The Plain Dealer). “It’s safe to say that if you enjoy that particularly British, Douglas Adams–style absurd delivery of wry observations, you’ll get a kick out of [The Woman Who Died a Lot].”—New York Journal of Books Thursday Next, the Bookworld’s leading enforcement officer, has been forced into semiretirement following an assassination attempt. When her former SpecOps division is reinstated, she assumes she’s the obvious choice to lead the Literary Detectives. Sadly, our banged-up heroine is no spring chicken, and her old boss has a cushier job in mind: Chief Librarian of the Swindon All-You-Can-Eat-at-Fatso’s Drink Not Included Library. But where Thursday goes, trouble follows. As the new Chief Librarian faces 100 percent budget cuts and trouble from the ever-evil Jack Schitt, the Next children face their own career hiccups—and possible nonexistence. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT
The final instalment of the Last Dragonslayer Chronicles, demonstrating that
with a small band of committed followers, a large tin of resolve and steely
determination, almost anything can be achieved...
Hundreds of years in the future, after the Something that Happened, the world is an alarmingly different place. Life is lived according to The Rulebook and social hierarchy is determined by your perception of colour. Eddie Russett is an above average Red who dreams of moving up the ladder by marriage to Constance Oxblood. Until he is sent to the Outer Fringes where he meets Jane - a lowly Grey with an uncontrollable temper and a desire to see him killed. For Eddie, it's love at first sight. But his infatuation will lead him to discover that all is not as it seems in a world where everything that looks black and white is really shades of grey . . . If George Orwell had tripped over a paint pot or Douglas Adams favoured colour swatches instead of towels . . . neither of them would have come up with anything as eccentrically brilliant as Shades of Grey.