Alexandra Fuller Knihy

Memoáry Alexandry Fullerové jsou víc než jen příběhem o rozpadajícím se manželství. Autorka vypráví, jak v dětství žila na farmě v bývalé Rhodesii a jako mladá žena se cítila být spíš Afričankou, ač jí v žilách koluje britská krev. Předkládá bystré úvahy a originální postřehy skvělé pozorovatelky zažívající kulturní šok poté, co se z Afriky přestěhovala do Ameriky. A v neposlední řadě opěvuje krásu, divokost a bezprostřednost milované africké vlasti. Text se valí jako rozvodněná Zambezi – nechte se i vy strhnout proudem poutavého vyprávění!

Memoáry Alexandry Fullerové jsou víc než jen příběhem o rozpadajícím se manželství. Autorka vypráví, jak v dětství žila na farmě v bývalé Rhodesii a jako mladá žena se cítila být spíš Afričankou, ač jí v žilách koluje britská krev. Předkládá bystré úvahy a originální postřehy skvělé pozorovatelky zažívající kulturníšok poté, co se z Afriky přestěhovala do Ameriky. A v neposlední řadě opěvuje krásu, divokost a bezprostřednost milované africké vlasti. Text se valí jako rozvodněná Zambezi – nechte se i vy strhnout proudem poutavého vyprávění!

In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz. Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

With an introduction by Anne EnrightShortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Fuller remembers a time when a schoolgirl was as likely to carry a shotgun as a satchel. This is her story - of a civil war, of a quixotic battle with nature and loss, and of a family's unbreakable bond with the continent that came to define, scar and heal them.Shortlisted for the Guardian First Book Award in 2002, Alexandra Fuller's classic memoir of an African childhood is suffused with laughter and warmth even amid disaster. Unsentimental and unflinching, but always enchanting, it is the story of an extraordinary family in an extraordinary time.

From the author of Don't Let's Go to the Dogs Tonight, this is the compelling true story of a boy growing up in the oilfields and plains of Wyoming.

When her father becomes gravely ill on holiday in Budapest, Alexandra Fuller rushes to join her mother at his bedside where they see out his last days together. As they carry his ashes home to their family farm in Zambia and begin to grieve together, Fuller realises that if she is going to weather her father's loss, she will need to become the parts of him that she misses most. A master of time and memory, Fuller moves seamlessly between the days and months following her father's death, and her memories of a childhood spent running after him in southern and central Africa. And her own life begins to change. She faces seemingly irreparable family fallout, new love found and lost, and eventually further, unimaginable bereavement, holding fast to the lessons her father taught her about how to survive, whatever life throws at you.

This is the story of the author's childhood in the 1970s in Rhodesia.

Here, in one book, is the sequel and the prequel to the hugely successful Don't Let's Go to the Dogs Tonight

A delicately calibrated tuning fork, resonating at a cosmic pitch...awe- inspiring...This is an ardent, original and beautifully wrought book. - The New York Times Book Review Fuller achieves what every creative writer with political and social concerns hopes to achieve, where the political issues of her text do not overwhelm her story with a heavy hand, and yet they are simultaneously a part of the visible and invisible forces at work on the characters' journeys. And what journeys they undertake... In telling a story whose form embraces the Lakota Sioux's philosophies and distinctive life cycles, Quiet Until the Thaw doesn't just give us an authentic tale of a Native American people's journey. It offers up a distinctive view of America, and perhaps even pleas for a new understanding of how great American novels can be written. - Paste Magazine Alexandra Fuller's first novel, Quiet Until the Thaw, is a fearless book. . . with trenchant wit and appropriate rage, Fuller dodges cliché. Quiet Until the Thaw is not so much a conventional narrative as a progression of vignettes, less a tale to be read than a chronicle to be heard. The voice of the storyteller, Fuller's voice - by turns acerbic, compassionate and wry - imprints us almost more than the story she tells. And her gaze, though narrowly focused on a handful of Oglala Sioux characters, illuminates much more than their lives. Beyond spanning relatively large swaths of time, the book covers many physical territories as well - from the Rez in South Dakota to Vietnam, from Paris Disneyland to the moon. And in these snippets of cultural conquest, it is as much a history of (white) American capitalism in the 20th century as of a people oppressed by it...An essential book.- WBUR's The ARTery Alexandra Fuller has always been a brave writer. We count on her bare-boned, carefully-crafted truths laced with wit and wisdom. But in her debut novel, Fuller calls upon her imagination to explore what binds us together rather than what pulls us apart. Quiet Until the Thaw is a literary risk and a revelation. -Terry Tempest Williams, author of The Hour of Land One moment I am crying in sorrow, the next laughing and on the same page I am cringing. Honest fiction that exposes the reality of the difficulties of the Lakota Way. -Richard B. Williams, former president and CEO of the American Indian College Fund, and member of the Oglala Lakota Tribe Fuller's keen sense of engagement with a land 'to which you now don't belong,' and her place as an outsider, make her a sympathetic storyteller. Her prose shimmers and vibrates with life in this excellent novel. - Publishers Weekly Beloved for the string of gorgeous memoirs begun with Don't Let's Go to the Dogs Tonight, Fuller here depicts the Lakota people of South Dakota's Pine Ridge Indian Reservation, particularly two cousins in conflict. Fluidly written, with no sanctimony and plenty of dark humor - Library Journal Fuller writes unhurriedly and with an economy of expression that is nonetheless evocative... what is explored paints a vivid picture. - Bookpage Fuller's kinship with Lakota traditions in this novel is palpable. - Booklist A lyrical tale of life on the Rez. . . A tender, wry homage to Native American wisdom and lore.- Kirkus Reviews

The sequel to the bestselling Don't Let's Go to the Dogs TonightBorn in England and uprooted to southern Africa as a toddler by her parents, Alexandra Fuller experienced a unique upbringing - both coloured with tragedy and joy - against the backdrop of the Rhodesian wars.