Ayad Akhtar Knihy

Strhujúci román o americkej moslimskej rodine usilujúcej sa vyrovnať s vierou, vlastnou identitou a so spolupatričnosťou v osemdesiatych rokoch 20. storočia, teda vo svete pred 11. septembrom. Hayata Shaha, dospievajúceho syna pakistanských prisťahovalcov, uchvátila teta Mina dávno predtým, ako ju skutočne spoznal. Krásna, inteligentná a oduševnená priateľka jeho mamy sa stala priam rodinnou legendou. Podľa starých zvykov jej rodičia v Pakistane sprostredkovali sobáš, lenže po narodení syna sa s ňou manžel rozviedol. Údajne preto, že čítala priveľa múdrych kníh... Keď sa Hayat dozvie, že Mina prichádza bývať k nim do Ameriky, od radostného očakávania sa až chveje. Hayatov otec taký nadšený nie je. Už dávnejšie si našiel dôvody na to, aby zanechal fundamentalistický svet a vydal sa vlastnou cestou. Vôbec neočakáva, že keď Mina poodhalí Hayatovi krásu a silu Koránu, chlapec sa celkom zmení. Minino osobné čaro spôsobí, že domácnosť Shahovcov, vždy rozhádaná a smutná, sa stane harmonickejšou. No keď Mina spozná židovského lekára Nátana a zamiluje sa doňho, z uhlíka žiarlivosti tlejúceho v Hayatovom srdci vypukne ničivý oheň antisemitizmu. Hayat v mladíckej nerozvážnosti urobí osudovú chybu, ktorá ho bude mrzieť celý život, pretože hrozivé následky postihnú tých, ktorých ľúbi najväčšmi.

Part family drama, part satire, part picaresque, at its heart it is the story of a father and son, and the country they call home. Ranging from the heartland towns of America to palatial suites in Davos to guerrilla lookouts in the mountains of Afghanistan, Akhtar forges a narrative voice that is original as it is exuberantly entertaining

We are prisoners of a corrupt country of our own makingAmerican banker Nick Bright knows that his freedom comes at a price. Confined to a cell within the depths of rural Pakistan, every second counts. Who will decide his fate? His captors, or the whims of the market?Pulitzer Prize-winning playwright Ayad Akhtar has written an intense, fast-moving political thriller, which lays bare the raw, unfettered power of global finance.The Invisible Hand received its world premiere at the New York Theatre Workshop on 8 December 2014 and its UK premiere at the Tricycle Theatre, London, on 12 May 2016.

Crackles with intelligence and behavioral truth.... Akhtar is so eminently gifted in writing scenes that quake with powerful emotion.... The moments of strife, both religious and romantic, are frighteningly believable.- Charles McNulty, Los Angeles Times

The story of Amir Kapoor (Aasif Mandvi), a successful Pakistani-American lawyer who is rapidly moving up the corporate ladder while distancing himself from his cultural roots. When Amir and his wife Emily (Heidi Armbruster), a white artist influenced by Islamic imagery, host a dinner party, what starts out as a friendly conversation escalates into something far more damaging.

A young Pakistani boy, whose parents left the fundamentalists behind when they came to America, finds transformation and a path to happiness through a family friend, Mina, who shows him the beauty and power of the Quran.

*Now on Broadway at Lincoln Center starring Steven Pasquale* From the Pulitzer Prize-winning author of Disgraced, a fast-paced economic thriller that exposes the financial deal making behind the mergers and acquisitions boom of the 1980s. Set in 1985, Junk tells the story of Robert Merkin, resident genius of the upstart investment firm Sacker Lowell. Hailed as "America's Alchemist," his proclamation that "debt is an asset" has propelled him to a dizzying level of success. By orchestrating the takeover of a massive steel manufacturer, Merkin intends to do the "deal of the decade," the one that will rewrite all the rules. Working on his broadest canvas to date, Pulitzer Prize winner Ayad Akhtar chronicles the lives of men and women engaged in financial civil war: insatiable investors, threatened workers, killer lawyers, skeptical journalists, and ambitious federal prosecutors. Although it's set 40 years in the past, this is a play about the world we live in right now; a world in which money became the only thing of real value.