William Carlos Williams Knihy

The Great American Novel is an innovative anti-novel that critiques the clichés and unoriginality of contemporary American literature through metafiction. William Carlos Williams blends Dadaism, Cubism, and Imagism, breaking away from conventional narrative structures. This work not only reflects his unique artistic vision but also anticipates postmodernism, marking a significant contribution to the evolution of writing during the modernist era. Williams' experiment invites readers to reconsider the boundaries of literature and creativity.

Collection of poems of William Carlos Williams from 1939-1962

Imaginations makes accessible to the broad reading public live early books by William Carlos Williams, which, except for Kora in Hell , have long been hard to find in their original and complete forms. Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations ( Kora in Hell ) . . . the interweaving of prose and poetry in alternating passages ( Spring and All and The Descent of Winter ) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing ( A Novelette ) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

A collection of poems that gathers the poet's lifetime's work, from the 1950s to 2006.

A collection of poems written between 1950 and 1962 by the Pulitzer Prize-winning poet, including the complete texts of two earlier volumes, as well as a selection of previously uncollected works.

Collection of poems by the American twentieth century poet.

Opening with Professor Tomlinson's superbly clear and helpful introduction this selection reflects the most up-to-date Williams scholarship. In addition to including many more pieces, Tomlinson has organized the whole in chronological order.It isn't what he [the poet] says that counts as a work of art," Williams maintained, "it's what he makes, with such intensity of purpose that it lives with an intrinsic movement of its own to verify its authenticity.

2017 Reprint of 1921 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Published in 1921, the collection includes poems such as "A Widow's Lament in Springtime," "The Great Figure," "Complaint," and "Queen-Ann's-Lace." Williams was still struggling to find his audience at the time that he published Sour Grapes and he was forced to pay for some, if not all, of the publishing expenses himself. As a book, it is highly representative of Williams's early writing. The book is filled out with improvisational pieces that Williams seems to have thrown together in the spare moments that he stole from his medical practice. Like most of Williams' early works, Sour Grapes was ignored by most critics at the time, but it was well received by Kenneth Burke in The Dial in February 1922.

William Carlos Williams is celebrated for his innovative approach to poetry, blending formal experimentation with vivid depictions of life in New Jersey. His work captures the essence of American modernism, showcasing a unique ability to convey fresh and immediate experiences. As a poet, he challenges conventions while providing an intimate and often raw portrayal of his surroundings, marking him as a central figure in the evolution of contemporary poetry.

William Carlos Williams' Paterson, widely regarded as a masterpiece of modern American poetry, is reissued as a Carcanet Classic.