Paul Auster Knihy

Americký spisovateľ Paul Auster vo svojej najnovšej knižke rekapituluje svoj život. Výsledkom však nie sú nudné memoáre, ale svieže dielko, v ktorom cítiť rozkoš z rozprávania. Auster v tejto spomienkovej mozaike spája veci každodenné i zlomové, bizarné i banálne, smiešne i vážne. Úplne otvorene píše o svojich prvých erotických zážitkoch, o neuveriteľných historkách z pobytu v Paríži, o tvorivej kríze, o zdravotných a existenčných problémoch či o zložitých vzťahoch k svojim blízkym. Zimný denník nie je len kniha o jednom konkrétnom živote, o detstve, dospievaní, zrelosti a starnutí. Je to najmä kniha o veciach, ktoré v sebe všetci nosíme a ktoré nás sprevádzajú až do smrti.

Život univerzitného profesora Davida Zimmera sa po havárii lietadla s jeho manželkou a dvoma synmi zosype. Preruší kontakty s okolitým svetom a jeho zúfalstvo vyústi do depresií a alkoholizmu. Zmenu v živote mu prinesie až nemý film s Hectorom Mannom, ktorý náhodou zhliadne v televízii. Rozhodne sa napísať o tajuplnom hercovi a filmárovi Mannovi knihu a vypátrať príčinu jeho zmiznutia. Intenzívna práca mu pomôže prežiť ďalší rok. Potom však dostane list od Mannovej manželky, v ktorom sa dozvie, že nezvestný si knihu prečítal a rád by sa s ním stretol. Strhujúci príbeh o smútku, bolesti, túžbach a nádeji smeruje k nečakanému rozuzleniu a poskytuje nezabudnuteľný literárny zážitok.

Čo má robiť šesťdesiatročný bývalý poisťovací agent, ktorý sa vyliečil z rakoviny, opustila ho manželka i chuť do života? Nathan Glass to vyrieši svojsky. Odsťahuje sa do Brooklynu, na miesto svojho detstva, kde sa rozhodne pospisovať všetky možné hlúposti, trápnosti a prešľapy, ktorých svedkom sa chtiac-nechtiac stal. Kým pracuje na svojich zápiskoch, vynárajú sa pred ním nové tváre a ich osudy: synovec, ktorý mal byť vedcom, no skončil ako taxikár; deväťročná neter, ktorá z akýchsi neznámych dôvodov nie je ochotná prehovoriť; majiteľ antikvariátu s podozrivou minulosťou; a samozrejme ženy, či už v úlohe pomocníčok alebo obetí a spasiteliek. Skrátka, zraniteľní ľudia vo svete plnom nástrah a neistôt. Rozprávač Brooklynských frašiek hovorí o veľkých otázkach života i smrti s ľahkosťou, bez tónu trpkosti. Pramienky malých príbehov sa nakoniec spoja do neuveriteľného, no presvedčivého toku podfarbeného brilantnými úvahami, ale aj zábavnými anekdotami napríklad o Kafkovi či Wittgensteinovi. Brooklynské frašky je napínavý román, prekypujúci humornými i dojímavými okamihmi, ktorý poteší nielen znalcov Austerových kníh, ale získa aj nových čitateľov pre tohto jedinečného autora.

Protagonista románu Quinn bol kedysi mladý ambiciózny spisovateľ, ale po smrti manželky a malého syna sa rozhodol písať tajne, pod pseudonymom William Wilson, nenáročné detektívky len pre peniaze na živobytie. Smútok a postupné strácanie seba samého ústia u Quinna do myšlienky, že už ani nie je reálnym človekom. Náhodný nočný telefonát ho vtiahne do bizarného vyšetrovania: ako súkromné očko pozoruje šialeného vedca, ktorý na svoje pokusy použil svojho syna a ktorý sa po prepustení z liečenia objaví v meste. Hoci v románe nájdeme prvky tradičnej detektívky, Auster ich využíva nanajvýš inovatívnym spôsobom a s netradičným záverom.

Sy Baumgartner našiel a potom stratil lásku, z akej sa človek len tak nespamätá. Učí sa žiť sám – a aby to zniesol, prekladá si realitu spomienkami a epizódkami z manželstva, z detstva, z textov, ktoré napísal on aj jeho nebohá žena. Táto mozaika plynie raz hladko, raz rozbúrene a hlavný hrdina z nej loví dôvody, prečo stojí za to znovu milovať aj riskovať. Paul Auster (1947 – 2024) napísal svoj rozlúčkový román s tušením blížiacej sa smrti a s láskou k životu.

Miles Heller je mladý človek bez ambícií, sužovaný pocitom viny za smrť nevlastného brata, už sedem rokov žijúci v dobrovoľnom exile bez kontaktu s rodinou. Zmysel života nachádza až vo vzťahu s výnimočne inteligentnou, no ešte neplnoletou Pilar Sanchezovou. Keď však hrozí, že jej rodina ich vzťah oznámi polícii, Miles je nútený ukončiť svoj exil a vrátiť sa do rodného New Yorku. Jeho domovom sa stáva opustený dom v brooklynskej štvrti Sunset Park, v ktorom sa ilegálne usadila skupinka mladých ľudí – idealistický revolucionár Bing Nathan, racionálna Alice Bergstromová a psychickými problémami trpiaca Ellen Briceová. Paul Auster rozohráva zložité a vzájomne poprepájané osudy svojich postáv s rozprávačskou vášňou, s neúprosnou odvahou, ale aj s pokorou pred „podivnosťou života“.

V malej miestnosti s posteľou, písacím stolom a stoličkou (a kde možno je, ale možno nie je šatník) sedí starec. Každý deň sa prebúdza bez jedinej spomienky v hlave, ale s nejasným pocitom viny. Kto je tento starec? Naozaj sa volá pán Blank? V hlave mu pochoduje procesia prízrakov, na stole čakajú akési fotografie a texty. Bude mať dosť času, aby vyriešil záhady, čo ho obklopujú?

Román amerického autora, jehož ústředním tématem je paměť a její utváření v životě jedince. V první části, nazvané Portrét neviditelného muže, autor popisuje vzpomínky a pocity, jež v něm vyvolává smrt jeho otce, odtažitého a zdrženlivého muže. Vyřizování pozůstalosti přivádí vypravěče k rekonstrukci důvodů otcova samotářského života. Náhodně odkrývá utajenou šedesát let starou rodinnou vraždu, která je i pozdním klíčem k pochopení obtížného otcova charakteru a vztah v typické rodině amerických židovských přistěhovalců. V druhé části, Knize paměti, která je vlastně eseji o minulosti a jejím vztahu k přítomnému okamžiku, se vypravěč neustále pohybuje na hranici mezi fiktivním světem slova a skutečností. Prostřednictvím mozaiky obrazů, analogií, mytologických či biblických odkazů a aluzí vytváří svět, jenž ho v samotě jeho vyprávění spojuje jak se světem odloučeného syna, tak s minulostí jeho předků a jejich příběhů.

New York Times bestselling author Paul Auster (The New York Trilogy) opens Leviathan with the tearing of a bomb explosion and the death of one Benjamin Sachs. Ben’s one-time best friend, Peter Aaron, begins to retrospectively investigate the transformation that led Ben from his enviable stable life, to one of a recluse. Both were once intelligent, yet struggling novelists until Ben’s near-death experience falling from a fire escape triggers a tumble in which he becomes withdrawn and disturbed, living alone and building bombs in a far-off cabin. That is, until he mysteriously disappears, leaving behind only a manuscript titled Leviathan, pages rustling in the wind.

Paul Auster's three stories explore the nature of identity. He uses the detective, spy and friendship genres as vehicles to delve into the relationships between different groups of people.

In this novel Paul Auster offers a haunting picture of a devastated world - a futuristic world - but one which may be seen to shadow our own. Auster has also written The New York Trilogy.

An “exceptional” (Los Angeles Times) tale of fate, loyalty, responsibility, and the real meaning of freedom, from the author of the forthcoming 4 3 2 1: A Novel A finalist for the PEN/Faulkner Award This “rich and dazzling” (Wall Street Journal) novel follows Jim Nashe who, after squandering an unexpected inheritance, picks up a young gambler named Jack Pozzi hoping to con two millionaires. But when their plans backfire, Jim and Jack are indentured by their elusive marks and are forced to build a meaningless wall with bricks gathered from ruins of an Irish castle. Time passes, their debts mount, and anger builds as the two struggle to dig themselves out of their Kafkaesque serfdom. New York Times-bestselling author Paul Auster (The New York Trilogy) brings us back into his strange, shape-shifting world of fiendish bargains and punitive whims, where chance is a powerful yet unpredictable force.

'I was twelve years old the first time I walked on water.' Meet Walt, the irrepressible hero of Paul Auster's astonishing new novel, the orphan from the mid-West who is set on the road to stardom by the dark and mesmerising figure of Master Yehudi. When the master takes little Walt back to the mysterious house on the great plains, he initiates the tutorial process that will culminate in Walt learning to fly.

August Brill is recovering from a car accident. Plagued by insomnia, he tries to push back thoughts about his wife's death and the horrific murder of his granddaughter's boyfriend, Titus. He is joined in the early hours by his granddaughter, and he opens up to her and recounts the story of his marriage and confronts the reality of Titus' death.

This updated nonfiction collection features significant works by Paul Auster, including his influential piece, The Invention of Solitude. Auster, a Man Booker Prize finalist, delves into themes of solitude, identity, and the human experience, offering profound insights and reflections. The collection showcases his unique narrative style and philosophical depth, making it a compelling read for those interested in contemporary thought and personal exploration.

Paul Auster's novels have earned him the reputation as 'one of America's most spectacularly inventive writers.' He has also brought this sense of invention to the art of screenwriting, producing Smoke, Blue in the Face, Lulu on the Bridge and The Inner Life of Martin Frost. Smoke tells the story of a novelist, a cigar store manager and a black teenager who unexpectedly cross paths. Blue in the Face is a largely improvised comedy directly inspired by Smoke. In Lulu on the Bridge, jazz musician Izzy Maurer is accidently hit with a bullet during a performance in a New York club, propelling him on a strange and frightening journey. The Inner Life of Martin Frost follows the unsettling experiences that befall a writer who borrows a friend's country house. The volume also contains production notes, as well as interviews with Paul Auster about his work in film.

Lange vor seinem internationalen Ruhm als Romanautor veröffentlichte Auster einen Gedichtband, der nun in deutscher Übersetzung erhältlich ist.

Joe Brainard's I Remember is a literary and artistic cult classic, praised and admired by writers from Paul Auster to John Ashery and Edmund White. As autobiography, Brainard's method was brilliantly simple: to set down specific memories as they rose to the surface of his consciousness, each prefaced by the refrain "I remember": "I remember when I thought that if you did anything bad, policemen would put you in jail." Brainard's enduring gem of a book has been issued in various forms over the past thirty years. In 1970, Angel Hair books published the first edition of I Remember, which quickly sold out; he wrote two subsequent volumes for Angel Hair, More I Remember (1972) and More I Remember More (1973), both of which proved as popular as the original. In 1973, the Museum of Modern Art in New York published Brainard's I Remember Christmas, a new text for which he also contributed a cover design and four drawings. Excerpts from the Angel Hair editions appeared in Interview, Gay Sunshine, The World and the New York Herald. Then in 1975, Full Court Press issued a revised version collecting all three of the Angel Hair volumes and added new material, using the original title I Remember. This complete edition is prefaced by poet and translator Ron Padgett.

On the eve of Christmas Eve, Tyler Kobe Nichols collapsed on the sidewalk, fatally wounded. His death at twenty-one marked another instance of senseless violence in America, receiving minimal coverage in the media. Yet, each tragedy unfolds a deeper narrative about the aftermath of loss, as Tyler's mother, Sherma Chambers, poignantly notes, a generational issue with no clear resolution. The project began with a misunderstanding when photographer Spencer Ostrander attended Tyler's funeral, mistakenly believing he was a gun violence victim. Instead, he met Sherma, leading to a collaboration that included Paul Auster, uniting strangers in shared sorrow. The Nichols/Chambers family's openness allows readers to witness their intimate grief following Tyler's murder. Their response includes establishing a foundation aimed at combating street violence through love, transforming their tragedy into a catalyst for societal change. This work invites readers to engage with the community's resilience amidst outrage and despair over the violence epidemic. It also offers a glimmer of hope, as the Long Live King Kobe Foundation, initiated by Sherma Chambers, will fund nonviolence initiatives to protect youth. Proceeds from this book will support the foundation's mission.

"A landmark biography of the great American writer Stephen Crane"--

The celebrated author of "The New York Trilogy, The Book of Illusions" and "Oracle Night" now offers an essential collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists.

Talking to Strangers is a freshly-curated collection of prose, spanning fifty years of work and including famous as well as never-before-published early writings, from 2018 Man Booker-finalist Paul Auster.

"Moon Palace" is the story of Marco Stanley Fogg's development and quest for his identity set against the background of the Manhattan urban landscape. Through chance and coincidence he discovres his origins and re-examines his relaionship with America. Within Marco's own narrative lie a number of sub-narratives wich are central to Marco's quest and which can be read as the history of modern America, forming a parallel story to Marco's own. -- 4ème de couverture.

An array of New Yorkers become involved with a mom-and-pop cigar shop in Brooklyn in an acclaimed short story, presented here along with interviews with the author and the film's actors and a description of the process of creating a film. Original. Movie tie-in.

BLOODBATH NATION is about the Epidemic that is tearing apart the fabric of American society.An Epidemic caused - not by Covid - but by Guns.Among its victims are men, women, teenagers, children, and even babies. The massacres have taken place in churches, schools, movie theatres, and at rock concerts. Auster establishes how America's love affair with guns goes all the way back to the arrival of the first British settlers - guns in hand - who used these guns to eradicate the Native Americans who occupied the country. This history of carnage continues to this day.Interwoven into the text are photographs taken by Spencer Ostrander of the locations of the mass killlngs - which serve as mute testaments to the lives that have been lost.Guns have become one of the issues dividing America today, but Auster doesn't take sides. The book is a plea for both sides to find a way of avoiding more death and grief. Accompanying Auster's text is a series of photographs of the locations of these mass killings. There are no bodies - only the empty spaces which stand as mute memorials to the lives that have been lost.

In 1999, Paul Auster and National Public Radio's Weekend All Things Considered programme asked listeners to send in true stories, to be read on-air as part of the National Story Project. The response was overwhelming: everyone, it seemed, had a story to tell. True Tales of American Life gathers 180 of these stories in one extraordinary volume.

"In a section of interviews as well as in The Red Notebook, Auster reflects on his own work - on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity. The Art of Hunger undermines and illuminates our accepted notions about literature and throws an unprecedented light on Auster's own richly allusive writings."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Offers the author's personal meditation on fatherhood. This title reveals his memories and feelings after the death of his father.

On March 3rd, 1947, Archibald Isaac Ferguson, the only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous paths. Four Fergusons will go on to lead four parallel and entirely different lives. Family fortunes diverge. Loves and friendships and passions contrast. Each version of…

The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster “Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window. The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life? Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”

"White Spaces gathers the poetry and prose of Paul Auster from various small-press books issued throughout the seventies. These early poetic works are crucial for understanding the evolution of Auster's writing. Taut, lyrical, and always informed by a powerful and subtle music, his poems begin with basics-a swallow's egg, stones, roots, thistle, "the glacial rose"--And push language to the breaking point. As Robert Creeley wrote, "The enduring power of these early poems is their moving address to a world all too elusive, too fragmented, and too bitterly transient." Auster's poems are grounded in a physical utterance that is at once an exploration of the mind and of the world. This collection begins with compact verse fragments from Spokes (originally published in Poetry, 1971) and goes through Auster's marvelous later collections including Wall Writing (The Figures, 1976), Facing the Music (Parenthèse, 1979), and White Spaces (Station Hill, 1980)"-- Provided by publisher

Although Paul Auster and J.M. Coetzee had been reading each other's books for years, the two writers did not meet until February 2008. Not long after, Auster received a letter from Coetzee, suggesting they begin exchanging letters on a regular basis and, 'God willing, strike sparks off each other.' Here and Now is the result of that proposal: an epistolary dialogue between two great writers who became great friends. Over three years their letters touched on nearly every subject, from sports to fatherhood, film festivals to incest, philosophy to politics, from the financial crisis to art, family, marriage, friendship, and love. Their correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and is a reflection of two sharp intellects whose pleasure in each other's friendship is apparent on every page.

Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a Brooklyn stationery shop and buys a blue notebook. It is September 18th, 1982, and for the next nine days Orr will live under the spell of this blank book, within a world of eerie premonitions.

'One day there is life . . . And then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood, The Invention of Solitude. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A.', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling. With all the keen literary intelligence familiar from The New York Trilogy or Sunset Park, Paul Auster crafts an intensely intimate work from a ground-breaking combination of introspection, meditation and biography.

Not long after, Auster received a letter from Coetzee, suggesting they begin exchanging letters on a regular basis and, 'God willing, strike sparks off each other'. Here and Now is the result of that proposal: an epistolary dialogue between two great writers who became great friends.

It begins with a writer's dilemmaQhe's been asked by "The New York Times" to write a story that will appear in the paper on Christmas morning. The writer agrees, but he has a problemQhow does one write an unsentimental Christmas story? The result is Auster's timeless, utterly charming Christmas fable, beautifully illustrated and destined to become a classic. 0-8050-7723-5$17.50 / Henry Holt & Company

Sinuously constructed in four interlocking parts, Invisible opens in New York City in the spring of 1967 when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University meets the enigmatic Frenchman Rudolf Born, and his silent and seductive girlfriend Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story, as it travels in time from 1967 to 2007 and moves from New York to Paris and to a remote Caribbean island in a story of unbridled sexual hunger and a relentless quest for justice.With uncompromising insight, Auster takes us to the shadowy borderland between truth and memory, authorship and identity to produce a work of unforgettable power that confirms his reputation as one of America's most spectacularly inventive writers.

Mr. Bones, the canine hero of Paul Auster's astonishing new book, is the sidekick and confidant of Willy G. Christmas, a brilliant and troubled homeless man from Brooklyn. As Willy's body slowly expires, he sets off with Mr. Bones for Baltimore in search of his high school English teacher and a new home for his companion. Mr. Bones is our witness during their journey, and out of his thoughts, Paul Auster has spun one of the richest, most compelling tales in American fiction.

A collection of poetry and prose from Paul Auster, the author of "New York Trilogy" and "Moon Palace". The book is divided into two parts. The first part is a selection from the author's volumes of poetry published in America in the 1970s and the second part is a collection of his essays.

Paul Auster's "Hand to Mouth: A Chronicle of Early Failure" is a fascinating and often funny memoir about his early years as a writer struggling to be published, and to make enough money to survive. Leaving high school with "itchy feet" and refusing to play it safe, Auster avoided convention and the double life of steady office employment while writing. From the streets of New York City, Dublin, and Paris to a surreal adventure in a dusty village in Mexico, Auster's account of living on next to nothing introduces an unforgettable cast of characters while examining what it means to be a writer.

Imagine what a dictionary might look like about thirty years hence, when all of the world's problems are solved and our current dictionaries are a distant memory. Dave Eggers, Jonathan Safran Foer and Nicole Krauss have lined up an incredible array of writers to bring you that futuristic dictionary and a vision of the world as it might be. Think of it as a dictionary of language for describing what the future could look like a dictionary that is both useful and romantic, hopeful and necessary, pragmatic and idealistic, and frequently funny. This is science fiction but with a difference.

In the beginning, everything was alive. The smallest objects were endowed with beating hearts. Paul Auster recalls his life through the story of his physical self in Winter Journal, now reflecting on his inner development and experiences with the outer world, alongside revealing letters to his first wife, Lydia Davis. This impressionistic portrait of a writer coming of age captures Auster's journey from a baby's-eye view of the moon to his childhood admiration for movie cowboy Buster Crabbe, the composition of his first poem at nine, and his growing awareness of American injustices. It charts his moral, political, and intellectual evolution as he navigates the post-war fifties and the turbulent sixties. Auster evokes the sounds, smells, and sensations of his early life, filled with moving images and his love for cartoons and films. The book culminates uniquely, breaking from prose into pure imagery, with the final section recapitulating the earlier parts through an album of pictures. This four-part work not only tells the story of Auster's times but also of the emerging consciousness of a renowned literary artist, addressing the challenge of autobiography in an unprecedented manner.

Searching for solitude, the writer Martin Frost borrows a friend's country house. Waking up one morning, he is shocked to find a nearly naked young woman beside him in bed. She also has a key to the house and claims to be the owner's niece. Martin's initial annoyance at Claire's intrusion is rapidly forgotten as he falls passionately in love with her. Even when it is revealed that Claire is not who she claims to be, their idyllic passion continues--until she suddenly falls ill. The Inner Life of Martin Frost is based on an imaginary film that appears in his novel The Book of Illusions

Eingeführte Reihe. Interpretationsband in englischer Sprache für Schüler. Das 1989 erschienene Werk ("Mond über Manhattan") wird mit ausführlicher Inhaltsangabe vorgestellt, Charakteristiken, Sprache und Struktur analysiert. Zum Inhalt: Auf geheimnisvolle Weise macht ein junger Aussteiger in New York die späte Bekanntschaft mit den exzentrischen Gestalten seines Vaters und Großvaters.Im Anhang ein Glossar mit literarischen Fachbegriffen und Hinweise zur Abfassung einer literarischen Facharbeit. Mit Zwischenfragen zur Wiederholung. Zuletzt wurde zu "Moon Palace" der Band von MariaFelicitas Herforth (Königs Erläuterungen, BA 4/07) vorgestellt. .

Odin chelovek. Chetyre parallelnye zhizni. Archi Ferguson budet rozhden odnazhdy. Iz edinogo nachala vyjdut chetyre realnye po svoemu vymyslu zhizni - parallelnye i nezavisimye drug ot druga. Chetyre Fergusona, sdelannye iz odnoj DNK, prozhivut sovershenno po-raznomu. Semejnye sudby budut varirovatsja. Druzhby, vljublennosti, intellektualnye i fizicheskie sposobnosti budut kontrastirovat. Pri kazhdom povorote sudby chitatel ispytaet radost ili bol vmeste s geroem.

Paul Auster wurde 1947 in Newark, New Jersey, geboren. Er studierte Anglistik und vergleichende Literaturwissenschaft an der Columbia University und verbrachte nach dem Studium einige Jahre in Frankreich. International bekannt wurde er mit seinen Romanen Im Land der letzten Dinge und der New-York-Trilogie. Sein umfangreiches, vielfach preisgekröntes Werk umfasst neben zahlreichen Romanen auch Essays und Gedichte sowie Übersetzungen zeitgenössischer Lyrik.

Dies ist die Geschichte vielfältiger Beziehungen: Zwischen einem Schriftsteller und einem Maler. Zwischen einem Schriftsteller und seiner Schreibmaschine. Zwischen einem Maler und seiner Besessenheit von dieser Schreibmaschine. Dies ist auch das Ergebnis einer Zusammenarbeit: entstanden aus Paul Austers Geschichte seiner 25 Jahre alten mechanischen Olympia und Sam Messers willkommenem, aber ziemlich beunruhigendem Auftritt in dieser Geschichte. Auf Austers Olympia entstanden alle seine Texte seit 1974, ein Gesamtwerk, das zu den kreativsten und anerkanntesten der jüngeren US-Literaturgeschichte gehört. Messers kraftvolle, eindringliche Zeichnungen und Ölbilder sowohl des Autors als auch seiner Schreibmaschine haben, wie Auster schreibt, ein «eigentlich unbelebtes Objekt in ein beseeltes Wesen mit fühlbarer Präsenz verwandelt». Der durchgehend vierfarbige Band mit seinen opulenten Bildern ist ein Fest fürs Auge und ein Muss für alle Auster-Fans.

Daniel Quinn, ein Kriminalautor, wird nachts von einem Fremden angerufen und in eine verworrene Affäre hineingezogen, die komplexer ist als alles, was er je geschrieben hat. Plötzlich wird er als Detektiv unter dem Namen Paul Auster eingesetzt, um Peter Stillman zu beobachten. Doch wer ist dieser Stillman und warum versucht sein Vater, ihn zu töten? Quinn verfolgt alle möglichen Spuren in New York, das sich als labyrinthartiger Raum entpuppt. Naheliegende Schlüsse verlieren ihre Klarheit, und aus der einfachen Aufgabe, einen Mann zu finden, wird eine aufreibende Suche nach seiner eigenen Identität. In einer anderen Geschichte erhält Blue den Auftrag von White, Black zu beobachten. Ohne die Hintergründe zu kennen, wird er zum obsessiven Detektiv, der die Grenzen zwischen Realität und Täuschung nicht mehr unterscheiden kann. Seine Professionalität schwindet, und sein Leben gerät aus den Fugen, während er verzweifelt versucht, Blacks Geheimnis zu lüften. Ein weiterer Handlungsstrang dreht sich um den Schriftsteller Fanshawe, der spurlos verschwindet und seine Frau Sophie und das Kind zurücklässt. Sein Freund, der Erzähler, übernimmt die Rolle des Nachlassverwalters, veröffentlicht Fanshawes Werke und heiratet Sophie. Doch als er erfährt, dass Fanshawe noch lebt, beginnt eine fieberhafte Suche, die ihn in eine tiefe Krise stürzt und seine eigene Existenz infrage stellt.

Sis mesos després de perdre la seva dona i els seus dos fills en un accident davió, el professor David Zimmer ja no té cap motiu per continuar vivint. Una nit, davant del televisor, veu per casualitat una pel·lícula muda protagonitzada per Hector Mann. Mogut per una obsessió, Zimmer sembarca en un viatge per tot el món a la recerca del misteri que hi ha al voltant daquest actor, que vadesaparèixer el 1929. Qui era Hector Mann? Era un còmic genial amb un bigotet i un vestit blanc de lli, que va deixar la seva Argentina natal per buscar fortuna a Hollywood, on va fer pel·lícules mudes sobre el tango. Però amb larribada del so al cinema, es va quedar sense feina; tenia un accent argentí molt marcat. A les acaballes dels vuitanta, Zimmer decideix escriure un llibre sobre aquest actor mut i, al cap dun any, quan el llibre surt al carrer, sorprenentment rep una carta de la que deu ser la dona de lactor: «Hector ha llegit el seu llibre i li agradaria coneixel».

¿Existe una necesidad interna de la literatura? ¿Se diferencian los grandes libros de los demás porque debían ser escritos? En sus ensayos sobre Franz Kafka, Samuel Beckett, Paul Celan, Knut Hamsun y otros grandes autores del siglo XX, Paul Auster explora las condiciones existenciales de la escritura. Sus estudios revelan por qué se le considera el más europeo de los importantes escritores estadounidenses. En cuatro entrevistas detalladas, también ofrece información sobre su propia obra y habla de la necesidad de difuminar la frontera entre escribir y vivir.

Der Film «Smoke» erzählt die Geschichte mehrerer völlig unterschiedlicher Menschen, deren Lebenswege sich auf seltsame Weise in einem Brooklyner Zigarrenladen kreuzen. «Blue in the Face» ist eine hinreißende, skurrile Liebeserklärung an Brooklyn, jenen Stadtteil New Yorks, in dem nichts so läuft, wie man es erwartet. Die Drehbücher zu beiden Filmen schrieb Paul Auster; Wayne Wang führte Regie. Neben den Hauptdarstellern Harvey Keizel und William Hurt spielen u. a. Lou Reed, Jim Jarmusch, Roseanne, Michael J. Fox und Madonna mit. «Smoke» wurde auf der Berlinale 1995 mit dem Silbernen Bären ausgezeichnet.

Pubblicati per la prima volta tra il 1985 e il 1987, i tre romanzi Città di vetro, Fantasmi, La stanza chiusa, che compongono Trilogia di New York, sono diventati dei classici della letteratura contemporanea americana. Sono tre detectives-stories eccentriche e avvincenti in cui Auster inventa una sua New York fantastica, un "nessun luogo" in cui ciascuno può ritrovarsi e perdersi all'infinito. Anna Blume era partita alla ricerca del fratello giornalista, scomparso senza lasciare traccia durante un reportage, ed è approdata "Nel paese delle ultime cose", ormai per lei e per tutti non c'è più possibilità di salvezza, di fuga. La definitiva catastrofe si è compiuta ma nonostante tutto Anna resiste e si aggrappa a tutte le sue forze per sopravvivere salvando in qualche luogo della sua coscienza una traccia di irrinunciabile umanità, una testimonianza di amicizia, persino d'amore. Il protagonista di "Moon Palace", Marco Stanley Fogg, orfano di un padre mai conosciuto ma eternamente cercato, tra coincidenze improbabili e intricati itinerari della memoria, dipana il suo mistero familiare, con un gusto per l'intreccio di sapore ottocentesco, ripercorrendo a ritroso il proprio e altrui passato lungo l'arco di tre generazioni: dall'estate del primo allunaggio fino agli albori del ventesimo secolo.

Ein einzigartiger Zugang zu Austers Werk Jedes seiner Bücher ist für Paul Auster eine Reise auf einer unbekannten Straße. Zusammen mit der Professorin Inge Birgitte Siegumfeldt hat er sich aufgemacht, diese Reisen noch einmal aus der Rückschau zu betrachten. Drei Jahre lang trafen sich beide zu Gesprächen über Austers Bücher. In einem intensiven, persönlichen Dialog erkunden sie seine großen Romane und die autobiographischen Texte. Auster gibt dabei einen intimen Einblick in seine Arbeit, erzählt amüsante Anekdoten und spricht offen wie selten über Inspirationsquellen und Motivation. Die scharfsinnigen Fragen und Gedanken Siegumfeldts fordern den Autor heraus, und so entsteht ein überraschender, kluger Austausch zweier Literaturliebhaber.

Cette aventure qui démarre comme un thriller se poursuit sur le mode de la quête métaphysique. La ville de New York, illimitée, insaisissable, lieu privilégié des rencontres aléatoires, est le gigantesque échiquier sur lequel Paul Auster dispose ses pions pour parler de dépossession.

«Eine literarische Sensation.» Sunday Times Jeder der drei Romane der New-York-Trilogie wirkt zunächst wie eine klassische, spannungsgeladene Kriminalgeschichte. Alle drei ziehen den Leser mit raffiniert ausgelegten «Ködern» in ihren Bann. Aber bald scheinen die vordergründig logischen Zusammenhänge nicht mehr zu stimmen. Täter werden auf rätselhafte Weise zu Opfern, Verfolger zu Verfolgten. Schritt für Schritt wird auch der unabhängige Beobachter, ob Leser oder Detektiv, in ein Spiel mit seinen eigenen Erwartungen verstrickt.Paul Austers drei große New-York-Romane in einem Band.

Op 3 maart 1947 wordt, twee weken te vroeg, Archibald Isaac Ferguson geboren, het enige kind van Rose en Stanley Ferguson. Archibalds leven zal gelijktijdig vier verschillende paden volgen. Vier identieke Archibalds, bestaand uit hetzelfde dna, vier jongens die fysiek een en dezelfde zijn, leiden vier parallelle en volstrekt verschillende levens. Elk levenspad neemt een andere richting. Liefdes en vriendschappen en intellectuele interesses contrasteren. Een jongen groeit keer op keer op. Iedere Archibald zal verliefd worden op Amy Schneiderman, maar hun relatie zal steeds een andere zijn. Lezers zullen meegenieten van Archibalds successen, en meeleven met de tragische gebeurtenissen die hem overkomen. Zo ontvouwen de levensverhalen van de vier Archibalds zich.

2008, kurz nachdem sie sich in Australien begegnet waren, schrieb J. M. Coetzee an Paul Auster in New York und bot ihm an, gemeinsam einen Briefwechsel zu führen. Bis 2011 debattieren sie freimütig sie über den Lauf der Welt: von Tennis bis Vatersein, von erotischer Attraktion bis Finanzkrise, von Hochzeit zu Liebe. Scharfsinnig denken sie über unsere Gegenwart nach und bieten dem Leser in ihren manchmal ausgelassenen Briefen Einblick in ihr Leben und ein ungeschütztes Porträt ihrer Freundschaft. Und sie erklären, warum es manchmal besser ist, Laub zu harken, als Romane zu lesen.

Werner Schmitz ist seit 1981 als Übersetzer tätig, u. a. von Malcolm Lowry, John le Carré, Ernest Hemingway, Philip Roth und Paul Auster. 2011 erhielt er den Heinrich Maria Ledig-Rowohlt-Preis. Er lebt in der Lüneburger Heide. Paul Auster wurde 1947 in Newark, New Jersey, geboren. Er studierte Anglistik und vergleichende Literaturwissenschaft an der Columbia University und verbrachte nach dem Studium einige Jahre in Frankreich. International bekannt wurde er mit seinen Romanen Im Land der letzten Dinge und der New-York-Trilogie. Sein umfangreiches, vielfach preisgekröntes Werk umfasst neben zahlreichen Romanen auch Essays und Gedichte sowie Übersetzungen zeitgenössischer Lyrik.

New York: rastlos, kreativ und unüberschaubar - vielbeschriebenes Sinnbild futuristischer Visionen und pulsierender Gegenwart. Paul Auster hat sich von der Metropole inspirieren lassen wie kaum ein anderer Künstler zuvor. Eine Unter- und Nebenwelt voll merkwürdiger Figuren und Ereignisse, ein antipodisches Negativ des Glitzers von Times Square und Fifth Avenue. «Mein New York» ist ein literarisches Stadtmosaik, komponiert aus Austers Werken. Ein wunderschöner Band über die Stadt der Städte.

Pour ce deuxième livre de sa Trilogie new-yorkaise, Paul Auster met en scène d'autres personnages que ceux de Cité de verre. Les protagonistes ici se nomment Blanc, Bleu et Noir. Mais deux d'entre eux sont à nouveau des détectives privés et leurs tribulations à New York mettent une fois encore en évidence la précarité de l'identité en même temps que les très pervers effets de miroir du destin. De telle sorte que l'impitoyable filature, à laquelle on demeure suspendu comme dans les meilleurs thrillers, nous ramène aux interrogations du premier livre. Avec, cette fois, une intensité croissante dans le tragique. On comprend après cela que l'ascension de Paul Auster, parmi les écrivains de sa génération, ait été aussi irrésistible que la métaphysique angoisse où il nous plonge.

Dies ist Paul Austers sehr persönliche Abrechnung mit der Vergottung des Waffentragens in der amerikanischen Kultur und Gesellschaft. Er erzählt davon zunächst in biografischen Vignetten, beginnend bei den Spielzeugcolts der Kindheit und den Western im Fernsehen. Es folgen die ersten Einschläge im näheren Umfeld, der von der Großmutter erschossene Großvater – lange Zeit ein Familiengeheimnis, von dem Auster nur durch Zufall erfuhr. Von da aus geht er zurück in die amerikanische Geschichte und erklärt, warum die Waffe in der Hand des freien Bürgers in direkter Linie aus der Gewalt der Sklavenhaltergesellschaft hervorgegangen ist. Der Streit ums Waffentragen führt ins Zentrum der aktuellen Auseinandersetzungen um die Gestaltung des amerikanischen Gesellschaftssystems. Auster zeigt sich hier als ebenso polemischer wie klarsichtiger politischer Beobachter und Kommentator. Der Text wird begleitet von Fotos des US-Fotografen Spencer Ostrander – in ihrer Stille gespenstisch eindrückliche Schwarz-Weiß-Aufnahmen der Schauplätze bekannter Massaker.

Diese Interpretationshilfe in deutscher Sprache erleichtert den Einstieg in die Lektüre und vertieft das Verständnis des Romans. Optimal für die Vorbereitung auf Unterricht, Klausuren und das Abitur. Mit Hintergrundinformationen zu Autor und Werk, Inhaltsangabe und einer ausführlichen Interpretation des Textes unter folgenden Gesichtspunkten: literarische Einordnung; Personenkonstellation und Charakterisierung; zentrale Themen und Motive; Aufbau und Textstruktur; Interpretation von Schlüsselstellen.