A retelling of the Gospel following the life of Christ from his conception to his crucifixion. A naive Jesus is the son not of God, but of Joseph. In the desert it is not Satan, but God that Christ tussles with, an autocrat with whom he has an unbalanced and unsettled relationship.
Katastrofická vízia sveta postihnutého náhlou epidémiou slepoty, ktorá sa šíri pohľadom a v krátkom čase jej podľahne celé mesto, krajina a dá sa predpokladať, že i celý svet, okrem jednej ženy, ktorej zrak zostal, a jej očami aj čitateľ vníma do dôsledkov premyslené a opísané scény zo života v slepote. Autor je nositeľom Nobelovej ceny za literatúru za rok 1998 a jeho štýl, ktorý si i v tomto románe zachoval všetky atribúty a pôsobí ako autentické rozprávanie o kataklizme, je popretkávaný tradične istými fantastickými, či s absurditou hraničiacimi prvkami.
After killing his brother Abel, Cain must wander for ever. He witnesses Noah's ark, the destruction of the Tower of Babel, Moses and the golden calf. He is there in time to save Abraham from sacrificing Isaac when God's angel arrives late after a wing malfunction. Written in the last years of Saramago's life, Cainwittily tackles many of the moral and logical non sequiturs created by a wilful, authoritarain God, forming part of Saramago's long argument with God and recalling his provocative novel The Gospel According to Jesus Christ.
Tertuliano Maximo Afonso is a history teacher in a secondary school. He is divorced, involved in a rather one-sided relationship with a bank clerk, and he is depressed. To lift his depression, a colleague suggests he rent a certain video. Tertuliano watches the film and is unimpressed. During the night, noises in his apartment wake him. He goes into the living room to find that the VCR is replaying the video, and as he watches in astonishment, he sees an actor who looks exactly like him - or, more specifically, exactly like the man he was five years before, moustachioed and fuller in the face. He sleeps badly. Against his own better judgement, Tertuliano decides to pursue his double. As he establishes the man's identity, what begins as a whimsical story becomes a dark meditation on identity and, perhaps, on the crass assumptions behind cloning - that we are merely our outward appearance rather than the sum of our experiences.
Ricardo Reis è uno degli "eteronimi" con cui Fernando Pessoa firmava le sue opere. José Saramago, con un'invenzione vertiginosa, dà a questo nome una storia e un vissuto, facendolo tornare a Lisbona nel 1935, anno della morte di Pessoa, e facendolo morire un anno dopo, giusto in tempo per visitare la tomba del suo creatore. Nel 1936, non solo Ricardo, che non è mai nato, muore, ma inizia anche a morire la grande civiltà europea onorata da Pessoa, ora in crisi sotto il regime nazifascista di Salazar, Franco, Hitler e Mussolini, con la guerra di Spagna a segnare un destino catastrofico. L'eteronimo sopravvive brevemente al suo creatore, sufficiente per lamentare il genio sprecato e l'anacronismo di un umanesimo in un'epoca di mostri. Saramago, in questa elegia, ritrova la felicità di un'affabulazione ricca e dolorosa, in un miracolo di stile che unisce evocazioni liriche, nostalgie intimistiche e scavi abissali sul senso dell'esistere, con la durezza della denuncia politica e un impegno etico e civile esaltato dalla singolarità del contesto. La Psiche, la Cultura e la Storia si intrecciano felicemente.
Symbolické putovanie andalúzskeho pastiera Santiaga za pokladom do Egypta. Prostredníctvom symbolického jazyka alchýmie sa Paulo Coelho snaží sprostredkovať poznanie, v čom spočíva podstata šťastia i to, že poslaním každého človeka je ísť po stopách znamení za svojím Osobným príbehom.
Een pottenbakker leidt een betrekkelijk vredig leven in de schaduw van de turbulente ontwikkelingen in de moderne maatschappij. Zijn bestaan komt in gevaar als het kolossale winkelcentrum waaraan hij zijn traditionele keramiek levert niet langer van zijn handwerk gediend is. Met grote moeite past de pottenbakker zijn product aan, maar dat betekent slechts uitstel van executie: voor zijn nering is in de moderne tijd geen plaats meer. In deze allegorische roman (het winkelcentrum levert niet alleen dagelijkse artikelen, maar biedt een compleet hypermodern leven met alle comfort van dien, inclusief een strand) schetst Saramago een lugubere wereld waar de grenzen tussen werkelijkheid en illusie totaal verdwenen lijken. Samen met 'De stad der blinden' en 'Alle namen' vormt 'Het schijnbestaan' een drie-luik waarin de auteur zijn visie geeft op de huidige wereld.
In an unnamed country on the first day of the new year, people stop dying. For several months undertakers face bankruptcy, the church is forced to reinvent its doctrine, and local 'maphia' smuggle those on the brink of death over the border where they can expire naturally.
Nel suo primo romanzo Coelho accompagna il lettore nel viaggio di Paulo, il narratore, lungo il sentiero che conduce a Santiago de Compostela. Un percorso che Paulo deve affrontare per diventare il Maestro Ram e conquistare la spada che lo trasformerà in Guerriero della Luce. Con lui c'è la sua guida spirituale, il misterioso ed eigmatico Petrus. Settecento chilometri in tre mesi, durante i quali Paulo imparerà a riconoscere i suoi demoni personali e a sconfiggerli. Un viaggio interiore ed esteriore, per spiegare che nella vita come in viaggio non è tanto importante la meta, quanto il cammino stesso.
Čarodejnica z Portobella je román o Athene, adoptívnej dcére libanonských emigrantov, ktorá sa vyberie do Transylvánie hľadať svoju biologickú matku. Počas putovania dospeje k poznaniu, ktoré naveky zmení nielen jej život, ale aj životy ľudí v jej okolí. Čarodejnica z Portobella je prvou knihou špeciálnej ilustrovanej série Coelhových románov. Autorom poetických ilustrácií k nej je Bystrík Vančo. Vydavateľstvo Ikar plánuje popstupne vydať niekoľko kníh Paola Coelha, každú z nich umelecky spracuje iný výtvarník. Dizajn edície navrhol oceňovaný slovenský grafický dizajnér Boris Meluš.
