De zwarte humor, de absurde logica en onvergetelijke personages als Yossarian, de bommenrichter die denkt dat de vijand erop uit is hem te vermoorden, en de gewiekste messofficier Milo Minderbinder, maken Joseph Hellers Catch-22 tot een indrukwekkend boek. Catch-22 is de oorlogsroman die alle andere oorlogsromans overbodig maakt: origineel, bitter, vulgair, geestig, spitsvondig en ontroerend.
When faced with the reality of potential death, the concepts of courage and life itself become meaningless. The protagonist grapples with the futility of existence, questioning the significance of even the simplest observations, such as a tree. This sense of pointlessness extends beyond his personal experience, affecting everyone around him, and ultimately, when he ceases to exist, it will have been pointless all along. This profound exploration of war's impact on life and identity is at the heart of the narrative. The story unfolds through various perspectives within C-for-Charlie Company, including Capt. James Stein, his unstable first sergeant Eddie Welsh, and the young privates thrust into battle. The depiction of combat and its psychological toll is strikingly realistic, with dialogue reflecting the rawness of their experiences. This work transcends traditional combat fiction, offering a significant examination of male identity in American literature, positioning the author alongside literary giants like Herman Melville and Stephen Crane.
Memoirs of a Woman of Pleasure, commonly known as Fanny Hill, has been shrouded in mystery and controversy since John Cleland completed it in 1749. The Bishop of London called the work 'an open insult upon Religion and good manners' and James Boswell referred to it as 'a most licentious and inflaming book'. The story of a prostitute's rise to respectability, it has been recognized more recently as a unique combination of parody, sensual entertainment and a philosophical concept of sexuality borrowed from French libertine novels. Modern readers will appreciate it not only as an important contribution to revolutionary thought in the Age of Enlightenment, but also as a thoroughly entertaining and important work of erotic fiction, deserving of a place in the history of the English novel beside Richardson, Fielding and Smollett.