Jeffrey Eugenides je americký autor, ktorého próza sa hlboko ponára do zložitých rodinných histórií a hľadania identity. Jeho diela často skúmajú témy americkej imigrácie, generačných konfliktov a nejednoznačnosti ľudskej skúsenosti. Eugenides vyniká v tvorbe bohatých, atmosférických svetov, ktoré odrážajú osobnú aj kolektívnu pamäť. Prostredníctvom starostlivo prepracovaných postáv a nuansovaného štýlu dokáže zachytiť podstatu života na pomedzí kultúr a identít.
Debutový román nositeľa Pulitzerovej ceny Jeffreyho Eugenidesa, na motívy ktorého vznikol v roku 1999 rovnomenný kultový film, rozvíja príbeh rodiny Lisbonovcov z pokojného predmestia Detroitu.
Jeho kronikármi sú muži v strednom veku, čo sa prostredníctvom spomienok snažia odhaliť tajomstvo melanchólie tejto rodiny. Všetko sa začalo jedného leta, keď Lisbonove dcéry, krásne a excentrické, jedna za druhou spáchali samovraždu. Muži, v tom čase ešte len chlapci, fascinovaní dospievajúcimi dievčatami, pozorovali ich osudy z diaľky a s odstupom času skladajú mozaiku fatálneho úpadku Lisbonovcov.
Eugenidesovo dielo Smrť panien súčasná americká literárna kritika radí medzi modernú klasiku, jeho lyrický a nadčasový príbeh transformuje a demytologizuje život americkej strednej triedy.
Pekná a bystrá Madeleine Hannová pochádza z napohľad normálnej a dobrej rodiny v New Jersey. Leonard Bankhead je príťažlivý mladík, do ktorého sa Madeleine zaľúbi celou silou svojich dozrievajúcich a neraz rozporuplných emócií. Mitchell Grammaticus študuje religionistiku a chce byť svätcom. Všetci traja chodia na Brownovu univerzitu a neskôr sa stanú súčasťou prekvapivého a sviežeho manželského trojuholníka. No a príbeh o ňom je vtipné rozprávanie o dospievaní generácie tridsiatnikov. Na univerzite všetci traja neraz počuli, že román postupne stráca opodstatnenie v literatúre, keď sa z neho vytratí manželská zápletka, no Jeffrey Eugenides ho v tejto knihe prebúdza k životu s neuveriteľnou energiou a dôvtipom.
Middlesex is a significantly more ambitious and much odder novel than Jeffrey Eugenides' resonant debut, The Virgin Suicides (on DVD), which was a bittersweet paean to adolescent love. This is a sprawling family saga, bursting with life, which spans three generations and crosses several continents. At its core, however, is another unorthodox but exquisite coming-of-age story. The book's wily narrator and central character, Calliope Stephanides (named after the muse of epic poetry) is a hermaphrodite raised as a girl who comes to realise she is happier as a boy and is now living as a man in contemporary Berlin. Cal's tale begins, appropriately enough, in Greece (or more precisely Asia Minor)--an Aegean Strasbourg whose sovereignty is claimed by Greece and Turkey. In 1922 brother and sister Lefty and Desdemona Stephanides escaped their war-torn homeland and arrived, as man and wife, in Detroit, America. It is this coupling that ultimately begets their grandchild Calliope and her ambiguous sexuality, as she, or rather by then he, sanguinely notes: Some people inherit houses; others painting or highly insured violin bows. Still others get Japanese tansu or a famous name. I got a recessive gene on fifth chromosome and some very rare family jewels indeed. As Cal recounts the experiences of the Stephanides clan in their new land--from the Depression to Nixon--he unfurls his own symbiotic odyssey to a new sex. Cal's narrative voice is arch, humorous and self aware, continually drawing attention to its authorial sleights of hand, but never exasperating. This is big, brainy novel--The Oracle of Delphi puts in an unlikely appearance in the middle of a teenage tryst--but one full of compassion. Eugenides' astonishingly rich story persistently engages the heart as well as the mind. --Travis Elborough
Ranging from the reproductive antics of Baster to the wry, moving account of a young traveler's search for enlightenment in Air Mail, this collection presents characters in the midst of personal and national crises. We meet a failed poet who, envious of other people's wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art collapse under the obligations of marriage and fatherhood; and, in Bronze, a sexually confused college freshman whose encounter with a stranger on a train leads to a revelation about his past and his future.
"When it comes to love, there are a million theories to explain it. But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name . . . . It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer."—Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.
The first collection of short fiction from the Pulitzer Prize-winning author Jeffrey Eugenides Jeffrey Eugenides’s bestselling novels have shown him to be an astute observer of the crises of adolescence, self-discovery, family love, and what it means to be American in our times. The stories in Fresh Complaint explore equally rich—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.
Virtuos, anrührend und mit großer Menschenkenntnis erzählt der Autor der Weltbestseller «Middlesex» und «Die Liebeshandlung» über Liebe, Hoffnung, Identität und die Angst, am Alltag zu zerbrechen.«Der Epiker Eugenides ist auch ein Artist der Kurzstrecke», lobte der Spiegel. Seine Erzählungen lesen sich wie kondensierte Romane. Es geht um Menschen in Schwierigkeiten. Da ist beispielsweise ein Familienvater, der im Garten sitzt und auf sein Haus schaut, das er nach einem Seitensprung nicht mehr betreten darf. Oder eine junge Frau, die von ihren indischen Eltern verheiratet werden soll, und dem entgehen will, indem sie einen Mann verführt, der nicht weiß, dass sie minderjährig ist und davon aus der Bahn geworfen wird. Oder die 88jährige demenzkranke Della, die das Pflegeheim auf eigene Faust verlässt.
Liebende & Lesende Was uns vor allem an der Liebe berührt, ist ihre Vergänglichkeit. Vom Suchen und Finden, aber auch vom Verlieren der Liebe handeln diese Erzählungen. Ein Jahr lang hat Jeffrey Eugenides sie gelesen, die großen Liebesgeschichten der Weltliteratur. Seine persönlichen Lieblingsgeschichten sind hier versammelt. „Eine der besten Anthologien der letzten Jahre, und zugleich der eindrucksvolle Beweis, dass Eugenides nicht nur ein hervorragender Schriftsteller, sondern auch ein profunder Literaturkenner ist.“ (Kirkus Reviews)