Anja Müller Knihy

Focusing on the evolution of childhood concepts, Anja Mÿller explores eighteenth-century periodicals and satirical prints to reveal their influence on the understanding of childhood before the 1790s. By analyzing the interplay between text and image, Mÿller challenges the prevailing notion that the modern idea of childhood emerged solely in late eighteenth-century England, highlighting the significance of earlier representations and their impact on childhood studies.

Focusing on childhood studies, Anja Mÿller explores the diverse concepts of childhood as represented in eighteenth-century periodicals and satirical prints. By analyzing the interplay between text and image, she reveals how these media contributed to the understanding of childhood before the 1790s, ultimately challenging the prevailing notion that the concept of childhood originated solely in late eighteenth-century England.

The research paper explores the biofuels market in Europe, focusing primarily on Biodiesel, which holds an 80% market share among biofuels. It provides a comprehensive overview of various biofuels, detailing their advantages and disadvantages. A SWOT analysis highlights Biodiesel's strengths and weaknesses, alongside external opportunities and threats influenced by political and environmental factors. The study concludes with a summary of findings and an outlook on the future of biofuels, supported by a condensed overview of the SWOT analysis in the appendix.

The paper explores Ukraine's cultural and technological evolution since its independence in 1991. It examines the impact of these changes on the nation's identity and intercultural dynamics, highlighting the interplay between traditional values and modern influences. The analysis emphasizes how Ukraine's unique position in Eastern Europe shapes its interactions with global cultures, making it a significant case study in intercultural management and sociology. The work aims to provide insights into the complexities of Ukrainian society in a post-Soviet context.

The essays in this Festschrift in honour of Hans-Peter Wagner’s 65th birthday combine the dedicatee’s two major research interests: the long eighteenth century and intermediality. Focussing on contemporary literary and cinematic representations of the long eighteenth century, the contributors trace in this “new-eighteenth-century” literature and film a self-reflexive mode of cultural re-presentation which, like Neo-Victorianism, engages with the past in order to foreground its significance for the present. As the essays in this volume demonstrate, the common notion of crisis, the lack of closure or definite answers suggest that the eighteenth century will continue to incite increasing interest for literary, filmic and artistic adaptations in the future and that the very incoherence of this period can become productive for subcultural “new-eighteenth-century” bricolage.

This volume assembles case studies from the fields of literary studies, cultural studies, philosophy, history, science and the visual arts in order to examine the heterogeneous manifestations of childhood in the English Renaissance. Addressing a wide range of topics such as birth, child care, children’s literature, children in literature, children in politics, royal children, or children’s death, the articles raise the question in how far the diverse constructs of childhood in the English Renaissance can be said to form a veritable discourse. Can one discern a systematic, even strategic connection between different areas of knowledge or practices that were interlinked and endowed with certain functions or implications? What is at stake in this volume is, therefore, not whether children and childhood were considered important or treated with affection in the Renaissance, but whether the conceptualization of childhood in form of a discourse can already be found in early modern times.

Die Fotografin Anja Müller aus Berlin/Prenzlauer Berg fotografiert seit Jahren Berliner Frauen und Männer in erotischen Situation, alleine, beim Sex. Sinnliche, zärtliche mitreißende Bilder der unterschiedlichsten Frauen.

Der zweite Band des schwulen erotischen Jahrbuchs. Erotische Fotos und Malerei, Kurzgeschichten, Sachtexte, Interviews. Sexuelle und künstlerische Abenteurer und Exoten jeder Couleur, darunter neue Talente neben Stars.

Erotische Fotos von Frauen zwischen 45 und 55. Begleitet von Texten der Autorin Yoko Tawada (über die Schönheit von Frauen um die 50), der Verlegerin Claudia Gehrke (über das Älterwerden) und Birgit Kausch, einer der Frauen, die sich für dieses Buch hat fotografieren lassen (über die Erfahrungen beim Fotografiertwerden). „Wohltuend und erfrischend sind diese erotischen Fotos anzuschauen, sie berühren, sie sprechen an.“ (Wir Frauen) „Außergewöhnlich schöner Fotoband.“ (HZ)