Bernard Rudofsky bol architekt a dizajnér, ktorého celoživotné dielo ovplyvnil trvalý záujem o telo a zmyslové vnímanie. Jeho práca, často provokatívna, skúmala vzťah medzi ľudským telom a okolitým svetom. Rudofsky sa preslávil svojimi vplyvnými výstavami a katalógmi, ktoré spochybňovali konvenčné pohľady na architektúru, módu a životný štýl. Jeho inovatívny prístup k dizajnu a kritickému mysleniu zanechal nezmazateľnú stopu v mnohých oblastiach.
Ve svých rukou držíte první české vydání významné a ve světovém kontextu známé knihy Bernarda Rudofského, vydané v roce 1964, která je zároveň vůbec první publikací Rudofského v češtině. Zároveň jde o zahájení aktivit Kabinetu architektury, jež chtějí přiblížit myšlenky a životní příběh Bernarda Rudofského české veřejnosti.
What we need is not a new way of building but a new way of living—so the subtitle of one of Rudofsky’s last works. Setting out from the assumption that the design of every single room in a house is based on a physical function: one place to lie the body down to rest, another to take in food, a third to step into a tub to bath, Bernard Rudofsky (1905-88) believed architecture served to stimulate the senses and refine everyday culture. His conception of architecture and design is more topical today than ever. Internationally renowned in his day for the exhibitions he created for MoMA in the 1940s and 1950s, today he is remembered above all for his sharp-tongued, witty writings, which still speak to a broad audience. „Lessons from Bernard Rudofsky“ is more than a collection of essays by experts and introduction to the complex concept of architecture and living of a cosmopolitan and unconventional thinker; the rich visual material conveys his philosophy: „I believe that sensory pleasure should take precedence over intellectual pleasure in art and architecture.“
In this book, Bernard Rudofsky steps outside the narrowly defined discipline that has governed our sense of architectural history and discusses the art of building as a universal phenomenon. He introduces the reader to communal architecture--architecture produced not by specialists but by the spontaneous and continuing activity of a whole people with a common heritage, acting within a community experience. A prehistoric theater district for a hundred thousand spectators on the American continent and underground towns and villages (complete with schools, offices, and factories) inhabited by millions of people are among the unexpected phenomena he brings to light. The beauty of "primitive" architecture has often been dismissed as accidental, but today we recognize in it an art form that has resulted from human intelligence applied to uniquely human modes of life. Indeed, Rudofsky sees the philosophy and practical knowledge of the untutored builders as untapped sources of inspiration for industrial man trapped in his chaotic cities.
Entwerfen für den Alltag - Ideen gegen die Fadheit in Design und Architektur.
