Vicente Huidobro Knihy

Na konci roku 2018 vydavateľstvo LN Studňa publikovalo výber z poézie Vicenteho Huidobra pod názvom Skryté pagody a iné básne, preložený Vierou Dubcovou a ilustrovaný Tomášom Krčmérym. Tento nový výber obsahuje doteraz nevydané básne, pričom prvý výber z Huidobrovej poézie vyšiel už v roku 1972. Huidobro (1893–1948) sa vo svojej tvorbe inšpiruje modernizmom a stáva sa priekopníkom avantgardy, zakladá kreacionizmus, ktorý neskôr popiera kvôli úzkosti z rozumu. Kniha zahŕňa významný výber zo zbierky Skryté pagody (1914), ktorá ukazuje prechod medzi modernistickou a avantgardnou poéziou. Obsahuje cenné ľúbostné motívy a originálne reflexie o prírode a medziľudských vzťahoch. Ďalej sú tu ukážky z Huidobrovej avantgardnej poézie z obdobia 1. svetovej vojny, vyjadrujúce túžbu po živote a smútenie nad ľudskou zloby. Skromnejšie sú zastúpené jeho postavantgardné dielo, kde sa približuje surrealizmu, ktorý predtým odmietal. Tieto básne sú reflexiou v obrazoch, úzkosťou zo zla a hľadaním krásy. Knihu uzatvára prekladateľkin doslov, ktorý reflektuje Huidobrovu lásku k človeku, obdiv k jeho tvorivým schopnostiam a smútenie z deformácií ľudskej povahy.

The collection showcases the author's evolution as a poet, influenced by his early connections with Guillaume Apollinaire and potentially Pierre Reverdy, despite their later estrangement. As Huidobro's longest Spanish-language volume at the time, it represents a pivotal moment in his career, reflecting his innovative style and the lessons absorbed from his contemporaries. Published in 1918, it solidified his reputation as a prominent literary figure in both French and Spanish literature.

Vicente Huidobro, a pioneering avant-garde poet, created "Creationism" amidst the modernist scenes of Paris and Barcelona. His epic work, "Altazor," features the antipoet Altazor racing through a surreal, Einsteinian universe at light speed. This dynamic long poem combines various linguistic elements, including playful puns and unique neologisms, culminating in an exploration of future language. Once deemed untranslatable, it is now presented in a revised translation with a comprehensive introduction, highlighting its innovative spirit and impact on poetry.

Exploring themes of love, sex, and death, this 1928 work showcases an ecstatic outpouring of words that reflect a more unified style compared to its contemporaries. Addressed to an idealized feminine figure, it blends elements of mythology and personal experience, particularly drawing inspiration from Wagner's Isolde and the poet's second wife. This poem signifies a pivotal transition in Huidobro's writing, evolving from his earlier avant-garde approach to a more mature, surrealist-influenced style.

The book features a collection of works by Huidobro, showcasing his literary evolution during the early 20th century. Published between 1916 and 1918, these pieces include poetry in both Spanish and French, reflecting his innovative style and exploration of themes related to nature and the human experience. Notable titles such as Horizon carré and Tour Eiffel highlight his engagement with modernism and his connection to Parisian and Spanish literary scenes.

In 1925, Huidobro's collection of manifestos emerged as a strategic response to the rising Surrealist movement and critiques from a rival Spanish critic. This pivotal year marked Huidobro's exploration of new artistic directions while he sought to reinforce his place in the avant-garde. The manifestos reflect a blend of seriousness and irony, particularly as they coexist with Surrealist texts that critique the very movement. Following this period, Huidobro produced significant works like Altazor and Temblor de cielo, showcasing his evolution and maturity as a poet.

Exploring Vicente Huidobro's innovative concept of "Creationism," this bilingual edition presents his revolutionary ideas on imagination's universality, free from conventional meanings. The collection features acclaimed English translations by Jonathan Simkins alongside the original Spanish texts, highlighting Huidobro's significant impact on poetry and art. With a foreword by Leo Lobos, this work underscores the poet's visionary approach in a rapidly changing world, making it essential for understanding the interplay between language, creativity, and human experience.

Exploring the themes of artistic creation and reality, the novel follows Bernardo Saguen, a troubled writer grappling with mental illness and moral decline. As he descends into paranoia and schizophrenia, his unreliable narration raises questions about truth and perception. Written during a period of uncertainty for Huidobro, this final prose work reflects his literary, social, and philosophical concerns, intertwining his personal struggles with broader existential inquiries. The narrative culminates in a haunting ambiguity, leaving readers to ponder the nature of reality and sanity.

The collection features a blend of essays, aphorisms, and observations reflecting the author's experiences and insights gained during years spent in Europe. Published in 1926 in Santiago, it showcases Huidobro's unique perspective and literary style, offering readers a thought-provoking exploration of various themes and ideas.