Dave Eggers Knihy

Mae Hollandová získa prácu v najsilnejšej internetovej spoločnosti na svete, ktorá má symbolický názov Kruh. Dostala tak skvelú životnú príležitosť pracovať v supermodernom kalifornskom sídle, kde všetci horúčkovito pracujú a stretávajú sa v luxusných kluboch, na vlastných športoviskách či skvelých reštauráciách. Kruh spája používateľov osobných e-mailov, sociálnych sietí, uskutočňuje podozrivé bankové operácie a nákupy svojím univerzálnym operačným systémom, ktorý napokon vyústi v jedinú on-line identitu na internete. Mae spočiatku nemôže uveriť svojmu šťastiu -- aj keď sa jej svet za hranicami areálu odcudzí, aj keď ňou otrasie čudné stretnutie s istým kolegom, a aj keď ju práca v Kruhu postupne okráda o vlastný život a súkromie. To, čo sa začalo ako úchvatný príbeh o ženských ambíciách a idealizme, sa čoskoro stane srdcervúcim románom plným napätia a frustrácie. Kde sú vlastne hranice ľudského poznania? Chceme to vôbec vedieť?

Jeden z najvplyvnejších amerických autorov súčasnosti prináša vtipný a zároveň napínavý príbeh rozvedeného päťdesiatnika, ktorého podnik skrachoval v dôsledku americkej ekonomickej krízy. Z dlhov sa chce vyhrabať vďaka lukratívnej zákazke v prosperujúcej a peniazmi rozprávkovo oplývajúcej Saudskej Arábii. Čo všetko sa môže stať počas nekonečného čakania na arabského kráľa?

'When you read his extraordinary memoir you don't laugh, then cry, then laugh again; you somehow experience these emotions all at once.' "Well, this was when Bill was sighing a lot. He had decided that after our parents died he just didn't want any more fighting between what was left of us. He was twenty-four, Beth was twenty-three, I was twenty-one, Toph was eight, and all of us were so tried already, from that winter. So when something would come up, any little thing, some bill to pay or decision to make, he would just sigh, his eyes tired, his mouth in a sorry kind of smile. But Beth and I...Jesus, we were fighting with everyone, anyone, each other, with strangers at bars, anywhere -- we were angry people wanting to exact revenge. We came to California and we wanted everything, would take what was ours, anything within reach. And I decided that little Toph and I, he with his backward hat and long hair, living together in our little house in Berkeley, would be world-destroyers. We inherited each other and, we felt, a responsibility to reinvent everything, to scoff and re-create and drive fast while singing loudly and pounding the windows. It was a hopeless sort of exhilaration, a kind of arrogance born of fatalism, I guess, of the feeling that if you could lose a couple of parents in a month, then basically anything could happen, at any time -- all bullets bear your name, all cars are there to crush you, any balcony could give way; more disaster seemed only logical. And then, as in Dorothy's dream, all these people I grew up with were there, too, some of them orphans also, most but not all of us believing that what we had been given was extraordinary, that it was time to tear or break down, ruin, remake, take and devour. This was San Francisco, you know, and everyone had some dumb idea -- I mean, wicca? -- and no one there would tell you yours was doomed. Thus the public nudity, and this ridiculous magazine, and the Real World tryout, all this need, most of it disguised by sneering, but all driven by a hyper-awareness of this window, I guess, a few years when your muscles are taut, coiled up and vibrating. But what to do with the energy? I mean, when we drive, Toph and I, and we drive past people, standing on top of all these hills, part of me wants to stop the car and turn up the radio and have us all dance in formation, and part of me wants to run them all over."

Free dog Johannes' job is to observe everything that happens in his urban park and report back to the park's three bison elders, but changes are afoot, including more humans, a new building, a boatload of goats, and a shocking revelation that changes his view of the world.

Surviving Justice presents oral histories of thirteen people from all walks of life, who, through a combination of all-too-common factors-overzealous prosecutors, inept defense lawyers, coercive interrogation tactics, eyewitness misidentification- found themselves imprisoned for crimes that they did not commit. The stories these exonerated men and women tell are spellbinding, heartbreaking, and ultimately inspiring. These narrators include: Paul Terry, who spent twenty-seven years wrongfully imprisoned, and emerged psychologically devastated and barely able to communicate. Beverly Monroe, an organic chemist who was coerced into falsely confessing to the murder of her lover. Free after seven years, she faces the daunting task of rebuilding her life from the ground up. Joseph Amrine, who was sentenced to death for murder. Seventeen years later, when DNA evidence exonerated him, Amrine emerged from prison with nothing but the fourteen dollars in his inmate account.

NEWBERY MEDAL WINNER • #1 NEW YORK TIMES BESTSELLER • An enthralling novel for all ages by award-winning author Dave Eggers, told from the perspective of one uniquely endearing dog— featuring beautiful color artwork with illustrations by Caldecott honoree Shawn Harris. “Johannes is a highly engaging narrator whose exuberance and good nature run like a bright thread through the novel’s pages.” —The New York Times Johannes, a free dog, lives in an urban park by the sea. His job is to be the Eyes—to see everything that happens within the park and report back to the park’s elders, three ancient Bison. His friends—a seagull, a raccoon, a squirrel, and a pelican—work with him as the Assistant Eyes, observing the humans and other animals who share the park and making sure the Equilibrium is in balance. But changes are afoot. More humans, including Trouble Travelers, arrive in the park. A new building, containing mysterious and hypnotic rectangles, goes up. And then there are the goats—an actual boatload of goats—who appear, along with a shocking revelation that changes Johannes’s view of the world. A story about friendship, beauty, liberation, and running very, very fast, The Eyes & the Impossible will make readers of all ages see the world around them in a wholly new way.

Somewhere in the not-so-distant future the residents of Ennet House, a Boston halfway house for recovering addicts, and students at the nearby Enfield Tennis Academy are ensnared in the search for the master copy of INFINITE JEST, a movie said to be so dangerously entertaining its viewers become entranced and expire in a state of catatonic bliss . . . 'Wallace's exuberance and intellectual impishness are a delight, and he has deep things to say about the hollowness of contemporary American pleasure . . . sentences and whole pages are marvels of cosmic concentration . . . Wallace is a superb comedian of culture' James Wood, GUARDIAN

You may have heard of ships. You may have also heard of the sea and the night. But did you realize there's nothing more beautiful than a ship and its lights on the sea at night? In warm and witty prose, this picture book's narrator asks the reader to consider the splendor of glowing lights cast by ships on a shimmering waterway. Meet a trawler, a steamship, a RoRo, an exploratory vessel and more across richly illustrated pages, alive with the glowy, otherworldly nighttime scenes of boats as seen from a child's perspective.

Oisâin Mahoney, a 70-year-old American Army veteran, embarks on a journey with his young grand-nieces and grand-nephews towards the mysterious Museum of Rain in California's Central Coast. As they walk into the sunset, the story unfolds as a poignant exploration of family bonds, the nature of memory, and the legacies we create. Eggers crafts an elegiac narrative that reflects on the significance of what we leave behind, blending nostalgia with the uncertainty of the destination.

It all started when John "Minnie" Moore built a mine in Idaho and sold it to Englishman Henry Miller. Then Henry married a local lass named Annie and built her a mansion. After Henry died and Annie was hoodwinked losing all but the mansion she and her son took to raising pigs, as some are wont to do. But the town wanted those pigs out. Who could have guessed that Annie would remove the whole mansion instead rolling it away slowly on logs while she and her son were still living in it?