Bookbot

Robin Capon

    First Steps in Drawing: Flash
    Step by Step
    Light and Movement in Watercolour
    Colour and Light in Oils
    Painting on Location
    London's Arts Labs and the 60s Avant-Garde
    • London's Arts Labs and the 60s Avant-Garde

      • 212 stránok
      • 8 hodin čítania

      This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground."

      London's Arts Labs and the 60s Avant-Garde
    • David Curtis is a bestselling author and one of the most successful, celebrated artists working in the UK today. In his latest book he explores and demonstrates his approach to painting on location. He paints on site whenever possible, stating that working directly from the subject gives his work a sense of immediacy, dynamism, light and drama.

      Painting on Location
    • Often seen as dark and gloomy, oils can, in fact, be used to create colourful and light paintings that are wonderfully expressive. One significant characteristic of oil paint is its richness and depth of colour, something that is of particular interest to Nicholas Verrall.

      Colour and Light in Oils
    • Light and Movement in Watercolour

      • 128 stránok
      • 5 hodin čítania
      4,3(16)Ohodnotiť

      Jake Winkle's loose, fresh and spontaneous style of painting is very popular. His paintings are full of light and movement. A key feature of his technique is that he shuns the traditional way of light to dark by placing the dark first. In this book, he demonstrates how to paint watercolours with step by step demonstrations and practical projects.

      Light and Movement in Watercolour
    • First Steps in Drawing: Flash

      • 98 stránok
      • 4 hodiny čítania

      Perfect for beginners, this guide offers essential tips and techniques to kickstart your drawing journey. It provides straightforward instructions and practical exercises that make learning accessible and enjoyable. With just the right amount of information, aspiring artists can build their confidence and develop their skills, paving the way for creative expression.

      First Steps in Drawing: Flash
    • Whether you're working on location with a limited palette or in the studio with all the time and materials at your disposal, the author talks you through the ways to capture the essence of a subject matter and the mood or sense of the place.

      Painting with Impact
    • Exciting, colourful and vibrant watercolours from well- known artist Jenny Wheatley Step-by-step demonstrations encourage creativity and experimentation with your watercolours Jenny Wheatley shares her unique studio secrets and working methods Jenny Wheatley is renowned for her exciting, colourful and highly original paintings. In Adventurous Watercolours, her first book, Jenny discusses in detail the various aspects that contribute to her distinctive style of painting in watercolour. Jenny talks about how she gets her initial inspiration, the impact and importance of colour in her work, the different working processes she uses on location in her studio, right through to her design considerations. The stunning illustrations feature paintings in watercolour and mixed media, covering a wide range of subjects, including buildings, still life and landscapes. In addition, there are several step-by-step demonstrations explaining the key stages of Jenny's working process. Adventurous Watercolours will encourage readers to use their watercolours more creatively and to experiment with different techniques to achieve exciting and dramatic effects.

      Adventurous watercolours