Jasper Sharp Knihy

Offering a comprehensive overview of Japanese cinema, this resource serves both newcomers and scholars. It features a detailed chronology, an introductory essay, and appendixes listing films, studios, directors, and performers. The cross-referenced entries highlight significant films, genres, and notable figures in the industry, making it an invaluable tool for students and researchers seeking to deepen their understanding of this rich cinematic history.

Together with the special exhibition Caravaggio & Bernini, the Kunsthistorisches Museum is showing a new series of works by the Austrian artist Klaus Mosettig in the Bassano Hall. His series The David Plates is based on X-rays of Caravaggio?s painting David with the Head of Goliath from the collection of the Kunsthistorisches Museum. The fifteen large-scale drawings were created by artist Klaus Mosettig in his Vienna studio over a period of almost two years, from the autumn of 2017 through to the summer of 2019.00The process that Mosettig used to make the drawings is every bit as mechanical and systematic as that which created the X-rays in the first place. The plates were first converted into medium format slides and beamed onto large sheets of paper. Working in strict positional sequence, Mosettig moved across each sheet from top to bottom, left to right, transferring the information that he received in the form of projected light into graphite strokes of varying intensities. Each stroke was applied in the same diagonal orientation, with Mosettig careful to minimize any sense of emphasis or personal interpretation, recording each detail as he saw it.00Exhibition: Kunsthistorisches Museum Wien, Austria (15.10.2019 - 19.01.2020).

Die Publikation erscheint anlässlich der Ausstellung „Klaus Mosettig. Pradolux“ in der Secession, Wien (20. Februar - 13. April 2009).

This scholarly, 500-page publication looks at Austria’s participation in the Venice Biennale from 1895 to the present, with previously unpublished photographs, plans and correspondence drawn from public and private archives. It also examines the story behind the construction of Josef Hoffmann and Robert Kramreiter’s 1934 Austrian Pavilion.

Der vielfach ausgezeichnete US-amerikanische Filmemacher Wes Anderson und seine Frau, die bekannte Kostümbildnerin Juman Malouf, zeigen ihre Lieblingsstücke der Wiener Museen. Innerhalb von zwei Jahren trafen sie ihre Auswahl aus mehr als vier Millionen Objekten, sowohl aus den öffentlich zugänglichen Sammlungen als auch aus jenen, die in den weit verzweigten Depots lagern. Circa 400 Werke, davon zahlreiche, die nie zuvor öffentlich u sehen waren, zeigen die Kuratoren in einer aufwendigen Installation, geordnet nach einer eigenen Systematik. Ihre erste Ausstellung als Kuratoren enthalten Werke aus der Gemäldegalerie, der Ägyptisch-Orientalischen Sammlung, der Sammlung alter Musikinstrumente, dem Münzkabinett, der kaiserlichen Wagenburg, dem Welt- und Theatermuseum, der Bibliothek, Werke aus dem Schloss Ambras und Objekte aus dem Naturhistorischem Museum. Im Katalog erläutern sie ihr Konzept und stellen ihre gesamte Ausstellung in Instalations- und Werkfotos vor.

Surveying Lucian Freud's entire career and including many of his most important paintings, this generously illustrated book also explores his interest in historical art and the influence it had on the artist's work. Accompanying an exhibition at the Kunsthistorisches Museum, Vienna, the book presents the highlights of Freud's working life, a period of almost 70 years, and includes many of his most significant and well-known paintings.