Julia Knight Knihy

There were virtually no women film directors in germany until the 1970s. today there are proportionally more than in any other film-making country6, and their work has been extremely influential. Directors like Margarethe von Trotta, Helma Sanders-Brahms, Ulrike Ottinger and Helke Sander have made a huge contribution to feminist film culture, but until now critical consideration of New German Cinema in Britain and the United States has focused almost exclusively on male directors such as Rainer Werner Fassbinder and Wim Wenders. In Women and the New German Cinema Julia Knight examines how restrictive social, economic and institutional conditions have compounded the neglect of the new women directors. Rejecting the traditional auteur approach, she explores the principal characteristics of women’s film-making in the 1970s and 1980s, in particular the role of the women’s movement, the concern with the notion of a ‘feminine aesthetic’, women’s entry into the mainstream, and the emergence of a so-called post-feminist cinema. This timely and comprehensive study will be essential reading for everyone concerned with contemporary cinema and feminism.

The final book in the Duellist's trilogy - a fast-paced adventure from one of the most exciting new British talents in fantasy

The second book in the Duellist's trilogy - a fast-paced adventure from one of the most exciting new British talents in fantasy

"New German Cinema: The Images of a Generation" explores the context from which the films made by Fassbinder, Wenders, Herzog, von Trotta and others emerged during the late 1960s through to the mid-1980s. It examines the American dominance of the German market place, the development of a film subsidy system, the notion and politics of an Autorenkino, the framework of European art cinema, and distribution and exhibition initiatives that helped facilitate the birth of and shape a new national cinema. The author discusses the way in which the New German Cinema films engaged with contemporary West German reality and how the films can be read as raising important questions about West Germany's self understanding in the postwar era. Although the new cinema was internationally acclaimed, critics were virtually unanimous in declaring its demise in the early 1980s and this study concludes with a consideration of a number of factors that contributed to such a perception.

The first book in the Duellist's trilogy - a fast-paced adventure from one of the most exciting new British talents in fantasy