Ed Halter Knihy

In this first collection of film writing from Evergreen Review , the legendary publication's important contributions to film culture are available in a single volume. Featuring such legendary writers as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents writing on the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of independent film against the dominance of Hollywood. A new introductory essay by Ed Halter reveals the important role Evergreen Review and its publisher, Grove Press, played in advancing cinema during this period through innovations in production, distribution, and exhibition. Editor Ed Halter began working on this book in 2001 with Barney Rosset, using his personal files and interviews with him as initial research.

Through letters, contracts, photos, interviews, speeches, reviews, and memorabilia - most of which has never before been made public - a rare personal and professional friendship unfolds between these two oddly shy daredevils, shifting and turning the tide of literature in America. Barney Rosset, more than any other publisher, fiercely advocated for the most daring and influential writers of the 20th century. Through his Grove imprint, whole generations have embraced some of the greatest playwrights of our time, including Genet, Pinter, Mamet, Ionesco, D.H. Lawrence, and of course Samuel Beckett. Scholars, students, and fans of literary letters will find this volume beguiling reading.--Publisher.

Focusing on the evolution of James Nares' artistic journey, this monograph highlights his transition from experimental Super 8 films and live performances in the No Wave art scene to his innovative painting techniques using handmade brushes. His monumental strokes exhibit a three-dimensional quality, showcasing his exploration of physicality, motion, and time. Notably, his acclaimed 2011 video "Street" reflects these themes and has been exhibited in prestigious institutions like the Metropolitan Museum of Art.

"Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium--with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies. Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as "postinternet." Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others." -- Publisher's description