Tomi Ungerer Knihy

Jedného dňa dostane pani Lujza Bodková balík zvláštneho tvaru. Keď ho otvorí, veľmi sa naľaká. Je v ňom totiž veľhad kráľovský! Zatiaľ ešte maličký, ale predsa, je to had. Pani Lujza ho začne kŕmiť mliekom z fľaše a všade ho vodí so sebou. Myslíte si, že sa to ostatným obyvateľom mestečka páči? A ako dopadne nakoniec ich nezvyčajné priateľstvo? Zábavný príbeh z pera svetoznámeho autora a ilustrátora TomihoUngerera, držiteľa Ceny Hansa Christiana Andersena, o odlišnosti, ktorá sa nakoniec môže stať silnou stránkou, poteší všetkých čitateľov bez rozdielu veku.

Každý deň pozoruje Mesiac z nočnej oblohy ľudí na Zemi, akí sú šťastní a ako sa bavia. Tak rád by sa k nim pripojil! Aké to je, nebyť osamelý? Až raz... Keď okolo neho padá kométa, rýchlo sa chytí jej chvosta a spolu dopadnú na Zem. Obrovský rachot priláka ľudí, ktorí však považujú pána Mesiaca za votrelca. Neveria mu, že prišiel ako priateľ a uvrhnú ho do väzenia. Podarí sa mu uniknúť a vrátiť späť na nočnú oblohu? Prečítajte si ďalší skvelý, nádherne ilustrovaný príbeh od jedného z najuznávanejších svetových autorov pre deti TomihoUngerera, ktorý získal viacero ocenení. (Verbarium vydalo od autora aj knihu Kriktor o nevšednom priateľstve medzi hadom a staršou dámou.)

Présente une rétrospective des dessins érotiques de T. Ungerer dont 200 jamais publiés.

This collection of drawings and one-page cartoons by the internationally infamous cartoonist (and beloved children's book author) is a universal condemnation of human rottenness.

Story of three robbers who spent their loot on a castle for sad or abandoned orphans.

A teddy bear tells his life story, beginning with his creation in Germany prior to World War II, and continuing through the war and on to America, where eventually he is miraculously reunited with his original owner

A delightfully illustrated story of the naughty Piper Paw escaping his mothers kisses

A collection of humorous cartoons featuring frogs in positions that the Karma Sutra has never even thought of.

In the early 1970s Tomi Ungerer, the artist and children's storyteller, moved with his wife Yvonne to a farmstead on the wild Atlantic coast of Nova Scotia. For several years he lived there a life of self-sufficiency, painting, writing, sculpting; and also learning, with Yvonne, to be a farmer, a herdsman and, where necessary, a butcher. This is a record, in vivid words and enchanting pictures of the years they spent there; observing the wild animals, their own domestic flock and the lives of their dour, hardy neighbors i the small town of Gull Harbor. The result is an extraordinary record and revelation.

Originally published in 1964, Tomi Ungerer’s infamous Underground Sketchbook became a notorious aesthetic talisman among in-the-know cartoonists and fan connoisseurs, revered for its audacious visual wit and coruscating and absurdist humor, spoken about with awe among the tribe of cartooning lovers. It is the first book in which the award-winning children’s book illustrator let loose, a blast of social commentary, dada-esque observations, and existential angst. Jonathan Miller, in his introduction to the original book, described the work as “an iconography of this bewildering, centrifugal universe. Ungerer illustrates a world where things are coming apart, where the old unquestioned entities are at best provisional arrangements, loosely thrown together and never to be relied upon.” Sound familiar? Underground Sketchbook is, among other things, a relentless rage against avarice, unfettered consumerism, alienation, the exploitation of everything, the mechanization of human experience, and the public acquiescence to the worst instincts that fuel a modern economy — as timely now as it was then, if not moreso. This is as powerful a dose of visual ingenuity, moral outrage, and bemused disgust at the human comedy that you are ever likely to experience by an artist of international renown.