John Donne bol anglický básnik a kazateľ, významný predstaviteľ metafyzických básnikov svojej doby. Jeho diela sú pozoruhodné realistickým a zmyselným štýlom, s pozoruhodnou živosťou jazyka a vynaliezavosťou metafor. Donneova poézia sa vyznačuje sviežosťou a originalitou, čím vyniká medzi súčasníkmi. Tvoril sonety, ľúbostnú a náboženskú poéziu, satiry a kázania, často s hlbokým filozofickým rozmerom.
Zdá sa nám, že renesancia je od nás ďaleko, no poéziu Johna Donna, vrcholného predstaviteľa alžbetínskeho obdobia (žil v časoch W. Shakespeara) , v preklade Jany Kantorovej Bálikovej čítame, akoby bol naším súčasníkom.
Výbor z veršů anglického básníka, Shakespearova současníka, nejprve světácky žijícího intelektuála, později anglikánského kněze. V „Písních a sonetech“, zahrnujících milostnou poezii jeví se básník jako zvěstovatel nového stylu; v rozporu s přežívající tradicí Petrarkovou uplatňuje reálný pohled na ženu. V „Elegiích“ se zabývá milostnou poezií na pozadí častých citátů z Ovidia. „Svaté sonety“ zahrnují básně náboženské.
Ob unverhohlen erotisch oder weltentrückt, ob frivol oder zärtlich, ob lebensfroh oder todverhangen, John Donne führt souverän alle Spielarten und Tonlagen der Liebespoesie vor.
The book explores the transformative power of poetry, highlighting its ability to create unexpected connections that resonate deeply with readers. It emphasizes how poetry can lead individuals toward beauty and goodness, ultimately guiding them on a spiritual journey toward God. Through this lens, the work invites readers to appreciate the serendipitous experiences that poetry offers, enriching their understanding and emotional connection to the divine.
This edition features John Donne's Devotions, originally printed in 1624, showcasing the profound spiritual reflections of the poet and cleric. The text captures Donne's exploration of faith, mortality, and the human experience, offering readers a glimpse into his introspective and philosophical approach to devotion. The 1923 publication highlights the enduring relevance of Donne's thoughts and the historical context of his work.
Yet it is only this century that Donne has been indisputably established as a great poet—and even, many feel, the greatest love poet of them all. Jonson went on to remark that 'That Donne, for not keeping of an accent, deserved hanging', yet Donne's rhythms, once thought 'unmusical' are now recognized as the natural rhythms of the speaking voice; his 'eccentricity' as a complex self-doubt; his 'obscurity' the reflection of a brilliantly learned and allusive mind. Poets such as Eliot and Empson have found Donne's poetry profoundly attuned to our modern age, while Yeats' glowing comment will always be true: 'the intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion.' This volume, superbly edited by Professor Smith, is the first complete edition to make a serious attempt to guide the reader closely through the complexities of Donne's poetry. Considerable attention has been paid to the text, and a selection of the important manuscript variants are included. This edition is also the first to make use of the newly discovered manuscript of the verse letter to Lady Carey and Mistress Essex Rich.
Janel Mueller's excellent edition is at once an accessible opening up of
Donne's verse and prose for the modern reader, and a rich exploration of the
material forms in which Donne's writing originally circulated. Mueller's
generous notes, and a lightly modernised text, help readers with questions of
genre, historical context, and biography, while facsimiles of manuscripts and
printed editions, and discussions of early readers and later editorial
responses, convey some of the latest research on the history of reading and of
the material text. Adam Smyth, Balliol College, Oxford