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John Orton bol anglický dramatik, ktorého krátka, ale plodná kariéra v 60. rokoch 20. storočia priniesla škandalózne čierne komédie, ktoré šokovali, poburovali a zabávali publikum. Jeho štýl, dnes označovaný ako „ortoneskný“, sa vyznačuje temným, ale fraškovitým cynizmom, ktorý sa zameriava na paródiu zavedených spoločenských noriem. Ortonove hry často skúmajú témy ako smrť, polícia, náboženstvo a spravodlivosť cez provokatívny a nekonvenčný pohľad. Jeho literárny odkaz spočíva v jeho jedinečnej schopnosti spojiť absurdný humor s ostrou spoločenskou kritikou, čím zanechal nezmazateľnú stopu v divadelnom svete.






Unexpurgated insight into the life of one of British theatre's most controversial figures of the 1960's
Collects all seven plays by English playwright Joe Orton, published between 1964 and 1967
Fred & Madge presents an absurdist drama that critiques society through the lens of a married couple engaged in monotonous labor, who realize they are characters in their own play. The Visitors offers a stark, realistic portrayal of a dying man visited by his daughter, highlighting the chaotic dynamics of hospital care. These recently discovered works, written before Orton's rise to fame, showcase the evolution of his dramatic voice and set the stage for his later acclaimed pieces.
One of the most enduring comedies of the modern British stage
"Joe Orton's last play, What the Butler Saw, will live to be accepted as a comedy classic of English literature" (Sunday Telegraph)
Entertaining Mr Sloane was first staged in 1964. Despite its success in performance, and being hailed by Sir Terence Rattigan as 'the best first play' he'd seen in 'thirty odd years', it was not until the London production of Loot in 1966 - less than a year before Joe Orton's untimely death - that theatre audiences and critics began to more fully appreciate the originality of Orton's elegant, alarming and hilarious writing. Introduced by John Lahr, the author of Orton's biography Prick up Your Ears, Entertaining Mr Sloane is now established as an essential part of the repertoire of the modern theatre.
The diary of aspiring actress Susan Hope chronicles her tumultuous journey from the London stage to the dark underbelly of the white slave trade in Mexico, ultimately leading her to Hollywood fame. Written in 1957, this comic novel showcases a unique blend of camp humor and suppressed eroticism, marking a pivotal moment in Joe Orton's career. It introduces readers to his distinctive voice, which would later resonate in his acclaimed plays, offering a vivid exploration of ambition and survival in the entertainment industry.