Luisa Valenzuela je autorkou post-boomového obdobia, ktorá písala novely a poviedky. Jej tvorba sa vyznačuje experimentálnym, avantgardným štýlom, ktorý z feministickej perspektívy spochybňuje hierarchické spoločenské štruktúry. Najviac ju preslávila jej práca napísaná v reakcii na diktatúru v Argentíne v 70. rokoch. Jej diela spájajú silnú kritiku diktatúry so skúmaním patriarchálnych foriem spoločenskej organizácie a mocenských štruktúr v ľudskej sexualite a rodových vzťahoch.
A collection of works by diverse and celebrated authors showcases a range of voices and styles, from poetry to prose. Each contributor brings their unique perspective, exploring themes of identity, culture, and the human experience. This anthology highlights the brilliance of established and emerging writers, inviting readers to engage with thought-provoking narratives and lyrical expressions. The rich tapestry of storytelling promises to captivate and inspire, making it a significant addition to contemporary literature.
contributors include: Prize-winning Argentine Luisa Valenzuela, an early exponent of magical realism, who writes about mothers and knives; Argentine poet Carlos Barabrito, who writes about John Cage. New Yorker Liz Swados cartoons. Susan Daitch, who dissects a nightguard's sympathy with robots, Croatian artist Miroslav Nemeth, who describes his childhood in Zagreb in black & white linocuts, Croatian short story writer Gordon Nuhanovic, who becomes a spectacle at the hairdresser's. Also, Croatian poet Tomislav Marijan Bilosnic returns. Among Pacific Northwest writers, David Hapgood travels to Morocco, Jenny Forrester stands up to Colorado bullies, Coleman Stevenson has breakfast, Kassten Alonso goes to a punitive school on a punitive school bus, but learns to type. And there are feuilletons, typewriter collages, poetry from Lithuania, an Australian comic report on a trip to New York... A compendium of the global contemporary. Pan-lingual Gobshite Quarterly, where Paul Krassner meets Vénus Khoury-Ghata, is my favorite source for Hungarian fiction that reads like a song ("Hogy jaj. jaj. jaj. semirol semmi fogalma nines..."). Here English language poems, short stories, and "reasoned rants" nervously traverse a dark alley, past hipster Arabs, dangerous Czechs, Spanish cantoras... - Chris Dodge, Utne Magazine
Luisa Valenzuela ist eine bedeutende Stimme der lateinamerikanischen Literatur, die seit den 1960er Jahren einen eigenständigen Weg verfolgt. Ihre Werke kombinieren fantastische Elemente mit feministischen Themen, der Demontage von Klischees und sozialkritischen Aspekten, während sie auch magischen Realismus und Mystisches einfließen lässt.
A collage made of pictures of Buenos Aires, divided in short stories (some surprisingly brief), told in the warm, humorous, precise and metaphorical style that made Luisa Valenzuela a recognized worldwide author.
