Four-handed monsters

Viac o knihe

Four-Handed Monsters surveys the cultural perception of four-hand piano playing in the nineteenth century. As the piano became a central institution of the bourgeois household and as piano transcriptions created a stable canon of classic works, four-hand playing became a ubiquitous and structurally important buttress of domestic life, provoking reflections in the literature, philosophy, journalism and the visual arts of the age.