Making Sense

Viac o knihe

In Making Sense, Simon Penny proposes that internalist conceptions of cognition have minimal purchase on embodied cognitive practices. Much of the cognition involved in arts practices remains invisible under such a paradigm. Penny argues that the mind-body dualism of Western humanist philosophy is inadequate for addressing performative practices. Ideas of cognition as embodied and embedded provide a basis for the development of new ways ofspeaking about the embodied and situated intelligences of the arts. Penny argues this perspective is particularly relevant to media artspractices.