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Working-Class Organisations and Popular Tourism, 1840-1970

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Examines some of the most important performance in Britain and Northern Ireland from the mid-1980s into the new millennium. In a timely new critical approach, it considers contemporary British theatre in relation to national and supranational identities, concepts such as globalistion and diaspora, New Labour, devolution and European unification. -- .

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Working-Class Organisations and Popular Tourism, 1840-1970, Susan Barton

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2011
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