The Relationship between Sound and Image in Rainer Werner Fassbinders "Die Ehe der Maria Braun"

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The essay explores the interplay of sound and image in Fassbinder's "Die Ehe der Maria Braun," highlighting its representation of public versus private life during the Wirtschaftswunder era. It discusses how this collision serves as a distancing technique, prompting viewers to reflect on the consequences of neglecting political realities. Key elements analyzed include the film's credits, radio broadcasts of Konrad Adenauer's speeches, Oswald's piano music, and the final radio segment about the 1954 World Cup, showcasing Fassbinder's artistic manipulation to convey deeper societal messages.