Bookbot

Josef Hoffmann

1870-1956

Hodnotenie knihy

Viac o knihe

The avant-gardist The influence of the Austrian architect and designer Josef Hoffmann (1870-1956) is for a period of over 60 years he kept up an aesthetic dialog with Modernism, the International Style, and Art Deco. Before being rediscovered in the 1980s by the Post-Modernists, his work was nearly forgotten; now his importance is unquestioned. As a designer he was one of the leading proponents of the Wiener Werkstätte, with its close connection to the Arts and Crafts movement. As an architect, he built the first modern buildings in Europe, such as the Purkersdorf Sanatorium (1904) and the Palais Stoclet (1905-1911). Traversing several styles and schools during his lifetime, his work shows a consistent Formalism. He abandoned Functionalism long before it became obsolete. In a historic sense, Hoffmann was doubly in both the rise and fall of Modernism. About the Each book in TASCHEN’s Basic Architecture Series

Nákup knihy

Josef Hoffmann, August Sarnitz

Jazyk
Rok vydania
2007
product-detail.submit-box.info.binding
(mäkká)
Akonáhle sa objaví, pošleme e-mail.

Platobné metódy

4,5
Veľmi dobrá
10 Hodnotenie

Tu nám chýba tvoja recenzia

Titul
Josef Hoffmann
Podtitul
1870-1956
Jazyk
anglicky
Vydavateľ
Taschen
Rok vydania
2007
Väzba
mäkká
Počet strán
96
ISBN10
382285591X
ISBN13
9783822855911
Pôvodný názov
Josef Hoffmann. 1870-1956. Im Universum der Schönheit
Hodnotenie
4,5 z 5
Anotácia
The avant-gardist The influence of the Austrian architect and designer Josef Hoffmann (1870-1956) is for a period of over 60 years he kept up an aesthetic dialog with Modernism, the International Style, and Art Deco. Before being rediscovered in the 1980s by the Post-Modernists, his work was nearly forgotten; now his importance is unquestioned. As a designer he was one of the leading proponents of the Wiener Werkstätte, with its close connection to the Arts and Crafts movement. As an architect, he built the first modern buildings in Europe, such as the Purkersdorf Sanatorium (1904) and the Palais Stoclet (1905-1911). Traversing several styles and schools during his lifetime, his work shows a consistent Formalism. He abandoned Functionalism long before it became obsolete. In a historic sense, Hoffmann was doubly in both the rise and fall of Modernism. About the Each book in TASCHEN’s Basic Architecture Series