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Explosive Narratives

Terrorism and Anarchy in the Works of Emile Zola

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  • 198 stránok
  • 7 hodin čítania

Viac o knihe

Explosive Narratives: Terrorism and Anarchy in the Works of Emile Zola explores the genealogy of modern day terrorism through a close study of the anarchist figure in three of Emile Zola's novels: Germinal , Paris , and Travail . The study links the crisis of representation registered at the end of the 19th century with the rise of terrorism embodied in the bomb-throwing anarchist. It thereby traces Zola's evolving thoughts on anarchy from the terrorist to the humanitarian reformer, from class warfare to a peaceful artisan commune, from a naturalist depiction of an elusive reality to a utopian writing fleeing the contingencies of the historical. The volume brings together aesthetic, political, urban, and scientific debates of Belle Epoque France and it will thus be of great interest not only to Zola scholars, but also to students of late 19th-century politics and art.

Nákup knihy

Explosive Narratives, Eduardo A. Febles

Jazyk
Rok vydania
2010
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Titul
Explosive Narratives
Podtitul
Terrorism and Anarchy in the Works of Emile Zola
Jazyk
anglicky
Rok vydania
2010
Väzba
mäkká
Počet strán
198
ISBN10
904203064X
ISBN13
9789042030640
Série
Štítky
Anotácia
Explosive Narratives: Terrorism and Anarchy in the Works of Emile Zola explores the genealogy of modern day terrorism through a close study of the anarchist figure in three of Emile Zola's novels: Germinal , Paris , and Travail . The study links the crisis of representation registered at the end of the 19th century with the rise of terrorism embodied in the bomb-throwing anarchist. It thereby traces Zola's evolving thoughts on anarchy from the terrorist to the humanitarian reformer, from class warfare to a peaceful artisan commune, from a naturalist depiction of an elusive reality to a utopian writing fleeing the contingencies of the historical. The volume brings together aesthetic, political, urban, and scientific debates of Belle Epoque France and it will thus be of great interest not only to Zola scholars, but also to students of late 19th-century politics and art.