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Art on the Rocks

Rock Art of the Southwest

Parametre

  • 32 stránok
  • 2 hodiny čítania

Viac o knihe

For many visitors to the American Southwest, one of the most exciting moments occurs when one comes face to face with a panel or rock art; executed by a people we know little of, for reasons we do not fully comprehend. Are these figures and patterns messages to be read? Are they supplications to the gods, clan symbols or prehistoric graffiti? Rock art is generally defined as being one of two petroglyphs, designs pecked into a rock surface using a harder stone; and pictographs, literally, rock painting. Pictographs were executed with paints derived either from mineral or vegetal sources. These paints were either daubed on using the fingers, painted on using brushes made of yucca fibers or blown through a hollow reed over some mold, handprints are very common in this style. Significant research has resulted in the identification of numerous regional styles, common design motifs and even relative ages for certain panels. Yet, for all we know of this subject, the most compelling questions remain Why was this work created, who was meant to see it, and for what purpose? While answers to these questions may ultimately be found, for many visitors/observers it is the mystery of the unknown that is perhaps most appealing.

Nákup knihy

Art on the Rocks, Bruce Hucko

Jazyk
Rok vydania
1998
Väzba
(mäkká)
Akonáhle sa objaví, pošleme e-mail.

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Titul
Art on the Rocks
Podtitul
Rock Art of the Southwest
Jazyk
anglicky
Vydavateľ
Sierra Press
Rok vydania
1998
Väzba
mäkká
Počet strán
32
ISBN10
1580710026
ISBN13
9781580710022
Série
Štítky
Anotácia
For many visitors to the American Southwest, one of the most exciting moments occurs when one comes face to face with a panel or rock art; executed by a people we know little of, for reasons we do not fully comprehend. Are these figures and patterns messages to be read? Are they supplications to the gods, clan symbols or prehistoric graffiti? Rock art is generally defined as being one of two petroglyphs, designs pecked into a rock surface using a harder stone; and pictographs, literally, rock painting. Pictographs were executed with paints derived either from mineral or vegetal sources. These paints were either daubed on using the fingers, painted on using brushes made of yucca fibers or blown through a hollow reed over some mold, handprints are very common in this style. Significant research has resulted in the identification of numerous regional styles, common design motifs and even relative ages for certain panels. Yet, for all we know of this subject, the most compelling questions remain Why was this work created, who was meant to see it, and for what purpose? While answers to these questions may ultimately be found, for many visitors/observers it is the mystery of the unknown that is perhaps most appealing.