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An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves's <i>Goodbye to All That</i> is a matchless evocation of the Great War's haunting legacy. In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. <i>Goodbye to All That</i>, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.

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Dat hebben we gehad, Guido Louis Peter Paul Golüke, Robert Graves

Jazyk
Rok vydania
1980
Väzba
(mäkká)
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Titul
Dat hebben we gehad
Jazyk
holandsky
Vydavateľ
Arbeiderspers
Rok vydania
1980
Väzba
mäkká
Počet strán
409
ISBN10
9086791565
ISBN13
9789086791569
Série
Anotácia
An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves's <i>Goodbye to All That</i> is a matchless evocation of the Great War's haunting legacy. In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. <i>Goodbye to All That</i>, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.