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Schilderen in opdracht. Noord-Nederlandse contracten voor altaarstukken 1485-1570

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  • 463 stránok
  • 17 hodin čítania

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Summary: Although the relationship between patrons and painters has attracted the interest of many art historians over recent decades, "Painting on commission" is the first study of surviving contracts in the Northern regions. In the fifteenth and sixteenth centuries, altarpieces were among the most prestigious commissions. Because of the large sums of money these assignments involved, it was of great importance that proper agreements were made, and that these were consolidated in written documents. The written contract is thus the most important source underlying the genesis of the painted altarpiece. The study addresses whether altarpieces can justifiably be seen as a distinct functional category, and how many altarpieces are likely to have been created. It examines what an artist's contract consisted of, and in which ways it was comparable with other contracts. The contracts for the painted altarpieces in the northern Netherlands are examined in depth.

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Schilderen in opdracht. Noord-Nederlandse contracten voor altaarstukken 1485-1570, Liesbeth M. Helmus

Jazyk
Rok vydania
2010
Väzba
(pevná),
Stav knihy
Dobrá
Cena
10,99 €

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Titul
Schilderen in opdracht. Noord-Nederlandse contracten voor altaarstukken 1485-1570
Jazyk
holandsky
Vydavateľ
Centraal Museum
Rok vydania
2010
Väzba
pevná
Počet strán
463
ISBN10
9059830210
ISBN13
9789059830219
Série
Štítky
Anotácia
Summary: Although the relationship between patrons and painters has attracted the interest of many art historians over recent decades, "Painting on commission" is the first study of surviving contracts in the Northern regions. In the fifteenth and sixteenth centuries, altarpieces were among the most prestigious commissions. Because of the large sums of money these assignments involved, it was of great importance that proper agreements were made, and that these were consolidated in written documents. The written contract is thus the most important source underlying the genesis of the painted altarpiece. The study addresses whether altarpieces can justifiably be seen as a distinct functional category, and how many altarpieces are likely to have been created. It examines what an artist's contract consisted of, and in which ways it was comparable with other contracts. The contracts for the painted altarpieces in the northern Netherlands are examined in depth.